FEATURES OF THE USE OF COLOR IN PROSE

Аннотация

The article discusses the properties of color in prose. Unlike a lyric work, prose comments on the use of color when expressing creative ideas. In the prose context, the static and dynamic manifestations of colors are given. The dynamic manifestation of colors in context is evidenced by examples of the repetition of the same color and the emergence of the primary color through its counterparts. It is also shown that the ratio of color to words and paragraphs in the context determines its importance in the expression of an artistic idea. KEYWORDS:- Color, expression, artistic idea, context, statistics, static expression, dynamic expression, color scale, imagination. and grizzly style [4.118]. I NTRODUCTION However, the peculiarities of the use of color in The theme of color has also been studied in fiction, especially in prose, in the expression of different directions and from different points of creative ideas are not yet fully known to science. view since ancient times throughout human In this article, we would like to comment on such development. Theoretical research on the properties of color. aesthetic and chromatic issues of color was M reflected in the religious-mythological and early ATERIAL AND METHODS natural philosophical views of antiquity in It is well known that colors are used more Europe [1]. In later periods, monographs on the differently in a prose work than in a lyrical work. nature of color appeared [2]. In this regard, the We know that the color used in a lyrical work can monograph study of S. Dondershine [3] on color be very symbolic, and even at the level of the and its specificity is important, the author has image it can be a characteristic feature of its extensively studied the issue of color and symbolic expression. In short, it is observed that through it the acquisition of identity in the each of the poetic images clearly loses its “color”. psyche. In today’s literature, research on the use From the above points of view, the situation is of color in fiction continues. In our previous relatively different in prose works. Because in a research, we studied the representation of color prose play, ideas are far removed from being in a lyrical work according to its national fixed and dimensional. This, in turn, frees the character [4.105], euphonic properties [4.117], writer from the need to “express an idea in a few CURRENT RESEARCH JOURNAL OF PHILOLOGICAL 24 SCIENCES ISSN – 2767-3758 https://masterjournals.com/index.php/crjps CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 2(5): 24-27, May 2021 DOI: https://doi.org/10.37547/philological-crjps-02-05-08 ISSN 2767-3758 ©2021 Master Journals Accepted25th May, 2021 & Published 30th May, 2021 words”. While the plot of a lyrical work is usually details, and other parts of the plot with its own as scattered as the planets, the prose work symbolic expression. moves more explicitly and visibly like a river This means that there will be works in which a flowing from a mountain to the ocean towards an certain color is applied one or more three or four artistic goal. As for the use of color in the play, times at the beginning of the statement. this is exactly the process that takes place, as we However, the “color” of this appeal will remain in have given above. That is, in a lyrical play, color the reader’s memory until the end of the work. A may be used separately for “each planet”. And writer who takes advantage of this opportunity this color and contrast serve in the poet's artistic will be able to effectively use the flashes and thinking and serve to express the creative idea hues of that color to direct his artistic idea he wants to promote in a sharp and concrete towards a creative goal. In doing so, it certainly way. (Because sharpness and concreteness are relies on the symbolic expression of color. important aspects that characterize the lyrical type.) A single lyrical work can also refer to 2. The dynamic manifestation of colors in multiple colors. It is also possible to express a context. In this sense, the color in the prose is creative idea by applying two or even three largely close to the status of leitmotifs. It comes colors in a single line. We observe this in the to the same color in conjunction with the object examples of our classical poetry. (For example, to which it belongs, or as a quality of other Navoi’s “red, yellow, green” radiant ghazal [5]. objects. Such an expression of colors comes in two forms: 1) through the repetition of the same The “planetary images” in the lyric can be color itself; 2) through the shades of the primary reflected not only in the color of the “sun” in the color. center of the work, but also in their own colors. In the first case, we can cite the story of Olim We observe the use of colors in prose works in Atakhan “Yellow window on the fourth floor” [6]. two cases: To determine the saturation of literary works 1) Static representation of colors in prose with color, S.M. Solovev uses the amount