Interpretation and researchesШ. Саттаров2026
DOMINANT FEATURES OF THE ART WORLD OF ALEXEY SALNIKOV
Elvina Abdulkhakovna Azimova · A. Qadiri (Lecturer, Department Of Russian Language And The Methods Of Teaching It, Jizzakh State Pedagogical Institute Named After)
CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES · 190-194 · 2021
Аннотация
This article examines the dominant features of the artistic world of Alexey Salnikov. A comparative analysis of the author's stories and a comparative analysis of the story of Alexei Salnikov "One, two, three, four" and the story of Lyudmila Petrushevskaya "New Robinsons" are carried out. KEYWORDS: - Theme, narration, style, heroes, motive, stylistic paths, dialogue, landscape. place between the father and the mother, where the I NTRODUCTION mother expresses her discontent with the head of the family about the people living in the area where Alexey Salnikov is a Russian poet and prose writer, they have recently moved, the father, reassuring winner of the National Bestseller Prize. The works him, explained that this is a working area: “I don’t of a contemporary writer are welcomed by readers. know,” my mother held out. - How can you get In the works of many Russian writers, the theme of accustomed here among this nasty weather, oats the Motherland sounds like a red line through their and rudeness ... ”[12]. work. Love for the Motherland, for the people is a source of inspiration for many writers. Homeland A month later, Oleg went to first grade, and his evokes bright feelings in a person. And it is difficult mother got a job in the same school as a teacher of to name a writer who would not devote to his Russian language and literature, and she had no homeland the lines that come from the heart, the time to look for differences between Estonia and most sincere, the most reverent. And Alexey the Urals. The passion for work was so strong that Salnikov is no exception. The story "One-two-three- Sasha already started a conversation about his son, four" was published in the journal "Vestnik Evropy" reporting on the late return of his son home, and in 2020, a work reflecting the theme of the the proposal to give his son to be raised by his Motherland. grandmother Vera Pavlovna, to which he heard a negative answer. And to the offer to talk to her son The main characters are father Sasha, mother (the after the prolongation, the mother responded author does not name) and son Oleg. The family disapprovingly, explaining that she was ashamed to moved from Estonia to the Urals. A dialogue took run to her son, a future man, and “wipe the snot” in CURRENT RESEARCH JOURNAL OF PHILOLOGICAL 66 SCIENCES ISSN – 2767-3758 https://masterjournals.com/index.php/crjps CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 2(9): 66-72, September 2021 DOI: https://doi.org/10.37547/philological-crjps-02-09-14 ISSN 2767-3758 ©2021 Master Journals Accepted25thSeptember, 2021 & Published 30thSeptember, 2021 front of classmates. And yet there is a plus in the several years, and the distance, letters, parcels from fact that the local people are vigilant. his grandmother alienated his former life, however, The fact is that, before Oleg went to school, he was approaching his familiar and familiar places, he ran constantly looked after. If Oleg did not go to the ahead of his parents. kindergarten, then he spent time with his grandmother, who took him with her to visit her After some time, Oleg completely got used to it, the friends. The boy could only find entertainment for remaining two weeks in Estonia did not let go of himself: looking at magazines, leafing through him anywhere. They took him to his relatives, to books without pictures, walking around someone meetings with friends of his father, mother, to the else's house and looking into all corners. And the dacha to his acquaintances, where there were no hero at a conscious age realized how clean the children at all, and then he got bored of the Urals. houses of these old women were, which made him Longing for nature: porcini mushrooms, not stand out. strawberries, flowers, pebbles that look like malachite. After the move, Oleg was timid to go out into the street. It seemed to the boy something unusual to go But, upon returning home, Estonia became to the store for bread, but after a few days it passed. "watercolor" in Oleg's head. There were several As soon as the hero walked around the yard, and more trips, Estonia became abroad. A sense of now he is already playing with other children, duality did not leave him. exploring the lathe shop, coal boiler house, construction site and watching the demolition of The story shows the intertwining of the life of the the old house. protagonist Oleg and the author. A. Salnikov comes from Estonia, the city of Tartu and currently lives in In just a month, Oleg managed to survive more than the Urals in Yekaterinburg. in his entire life. Twice his life nearly ended. He was drowning and nearly hit by a car. It seemed that he The type of storytelling is event-driven storytelling. had completely taken root, but no, Oleg lacked Event narration gives an idea of the sequence of another life, with different trees, houses and people. actions and events, changes in the life of a person or The nature aroused nostalgia in the boy: chestnuts, group of persons, society,
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«This article examines the dominant features of the artistic world of Alexey Salnikov.»
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Демо-превьюThis article examines the dominant features of the artistic world of Alexey Salnikov. Полный текст публикации CiteX не хранит — доступ к первоисточнику открывается по DOI согласно лицензии издателя и выбранному плану.
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- Theme, narration, style, heroes, motive, stylistic paths, dialogue, landscape, Theme, narration, heroes,
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