COMPARATIVE ANALYSIS OF NIZAMI GANJAVI’S EPICS “MAKHZAN UL-ASROR” AND ALISHER NAVOI’S “HAYRAT UL-ABROR”

Аннотация

The first works of the series of epics “Khamsa” by the great thinkers Nizami Ganjavi and Alisher Navoi are called “Makhzan ul-Asror” and Hayrat ul-Abror “. Both epics are on a philosophical-ethical theme, reflecting the social views of the great scholar-poets. “Makhzan ul-Asror” is written in Persian, and “Hayrat ul-Abror” is written in Turkish. Although these works are ideologically complementary, they are by no means a repetition of each other. A comparative analysis of both epics highlights the uniqueness of the method of expression, the different attitudes to events and happenings, and the importance of the variety of exemplary stories. KEYWORDS: - Khamsa, praise, description, prayer, salawat, article, story. this field, to claw Nizami's paw”. Alisher Navoi also I NTRODUCTION describes the poet with deep respect and reverence in almost all his works, especially in every epic of Jamaliddin Abu Muhammad Ilyas bin Zaki bin “Khamsa”, “Nasoim ul Muhabbat”. Abulmuayyad, that is, Nizami Ganjavi is a great poet and thinker who wrote the first “Khamsa” in the Alisher Navoi dedicates the twelfth chapter of the poetry of the East - a series of five epics and epic “Hayrat ul-Abror” in praise of Sheikh Nizami founded the school of Hamsanavism. The people of and Amir Khusrav Dehlavi. In the next chapter, Adab call him Hakim Nizami. He is known as Nizami Abdurahman Jami is described. It is narrated that Ganjavi. In Persian literature, Khusrav Dehlavi and between the teacher Jami and Navoi, “Nizami and Abdurahman Jami are the artists who followed Khusrav are discussed [1, p. 12]. What excitement Nizami in creating “Khamsa”. In response, the great did not come to the world of the two “Khamsa” poet and thinker Alisher Navoi wrote his “Khamsa” created by their pen! But out of these ten beautiful in Turkish. He acknowledges the great potential of epics included in the two “Khamsa”, the first two the master poet, saying, “It is not easy to stand in stood out. In response to these two friends, CURRENT RESEARCH JOURNAL OF PHILOLOGICAL 95 SCIENCES ISSN – 2767-3758 https://masterjournals.com/index.php/crjps CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 2(12): 95-98, December 2021 DOI: https://doi.org/10.37547/philological-crjps-02-12-20 ISSN 2767-3758 ©2021 Master Journals Accepted14thDecember, 2021 & Published 19thDecember, 2021 Abdurahman Jami wrote “Tuhfat ul-Ahror” [1, p. Nizami's prayer consists of two chapters, Navoi's 12]. “He stood royal from beginning to end”. prayer consists of four parts. After two prayers, Impressed and inspired by Alisher Navoi, they all Nizami wrote two chapters, “In the Name of the followed this path, so what if I took a few steps? Noble Messenger” and “In Me'raj”" He then brings After all, they wrote their works in Persian, and I four salawat. Navoi, on the other hand, writes a five- will start with Turkish. part note after the prayers. The next six chapters Yo'llasa, bu yo'lda Nizomiy yo'lum, are devoted to the descriptions of Hazrat Sheikh Qo'llasa, Xusrav bila Jomiy qo'lum – Nizami and Amir Khusraw, Nuriddin Abdurahman ... hoping to start writing the epic “Hayrat ul-Abror”. Jami, the definition of words, the power of words, Navoi writes in the hymn of Sheikh Nizami, who Sultan Abulgazi Husayn Bahodirkhan and the heart. won five treasures consisting of cash gold and This is followed by three chapters on three pearls with his precious paws in the property of wonders. The next chapter describes Hoja poetry... Bahauddin Naqshband. We conditionally define these chapters as the first part of the work. Because He is the crown on the heads of word artists, even then comes the second, main part - twenty articles the jewel of that crown whose value is equal to a and so many stories. treasure. He can be called the guardian of the pearls in the mine of virtue [1, p. 9], the precious pearl of Fakhruddin Bahromshah ibn Dawud madhida; The the river of perfection. call is said on the ground floor; This letter is in status and career; Statement of word quality; The “Makhzan ul-Asror” (“Treasure of Secrets”) is the advantage of the word manzum over Mansur; In the first epic of Nizami Ganjavi's “Khamsa”. According description of the night and the understanding of to the author, the writing was completed on the soul; In the care of the tongue before seclusion; September 30, 1176, according to the melodic samarayi xilvati avval; The second solitude is at account, in the month of Rabe'ul 24 AH, 572 AH. night; The fruit of the second desolation. The text of the epic “Makhzan ul-Asror” was published in 1984 in Dushanbe, “Irfon” publishing The first part of the epics of both thinkers is thus house. It is stated in the introductory part of the composed in such a peculiar way. The conditionally collection that it was written in response to Sanayi second parts of both epics consist of twenty articles Ghaznavi's “Hadiqat ul-Haqiqat” [2]. Before this epic and as many stories. These articles and stories, was written, N