FACTORS OF DEVELOPMENT OF UZBEK TRADITIONAL THEATER

Аннотация

This article discusses the factors of development of traditional Uzbek theater, folk oral dramas and their performers, the role of musicians in art, the new theater under the Soviet regime, the development of cultural heritage, the formation of a new circus and a new theater in Turkestan. KEYWORDS:- Clown, circus, theater, spectacle, singer, musician, pantamime, ufori, improvisation, performance. in oral form, many were forgotten and I NTRODUCTION disappeared as a result of the passage of time, the change of generation of performers. It was The concept of traditional Uzbek theater includes only from the beginning of the twentieth century elements of spectacle and imitation in the social that researchers began to study folk oral dramas and cultural life of the people, as well as clowns, and the lives and arts of their performers. From amateur art and puppetry, which have been the 1920s and 1930s, the focus shifted to this formed and lived for centuries. Historical sources work, and from the late 1950s onwards, the and art historians testify that the art of clowns study and recording of folk oral dramas became and amateurs has existed in the Turkestan region more regular. Folk oral drama is the literary for a long time and has existed for centuries as a basis of traditional Uzbek theater performances, manifestation of the cultural life of the people. and clowns and amateurs have created and Clowns and amateurs usually performed their performed their own repertoire based on the plays on the basis of folk oral dramas. These popularity and popularity of these oral plays. dramas are endlessly numerous and created by Folk oral dramas and their performers - the art the performers themselves. Oral dramas passed of clowns and amateurs - existed in all regions of from performance to performance, from that Uzbekistan - in cities and villages. Clowns and group to this group, changing, joining, and hobbyists are usually united into one trade union shortening. As a result of the fact that they were (association of people belonging to one CURRENT RESEARCH JOURNAL OF PEDAGOGICSISSN 32 – 2767-3278 https://masterjournals.com/index.php/crjp CURRENT RESEARCH JOURNAL OF PEDAGOGICS 2(11): 32-40, November 2021 DOI: https://doi.org/10.37547/pedagogics-crjp-02-11-09 ISSN 2767-3278 ©2021 Master Journals Accepted 25thNovember, 2021 & Published 30thNovember, 2021 profession). Korfarmon (master and commander have also used the performance mask, which has of this profession) led the creative process by been preserved in the Uzbek traditional theater directing all the performers in the trade and the for centuries. Due to the fact that men play the trade union - clowns and entertainers, dancers role of women in the traditional Uzbek theater, and hangers, and in many cases also hafiz and special attention is paid to the problems of musicians. Typically, entrepreneurs have strong imitation of women - behavior, voice, head, talents, exemplary service in one field of art, as makeup, special items such as women's wigs, well as in-depth knowledge of other related shoes. The location, environment, and time of the fields, ability to manage processes, and a high event are expressed in highly conditional ways. reputation among the community and the The repertoire of the traditional Uzbek theater people. Among such entrepreneurs are differs from the oral theaters of many nations in Muhammadsolih and Bidiyorshum, Zokir Eshan, the number of themes, plays, and in some cases his student Yusuf Qiziq Shakarjon ogli, famous in the number of members of the troupe. In the Kokand khanate in the XIX century for their particular, his repertoire includes various profession and performances, in the Bukhara aspects of the daily life of the people - the emirate Boboyor clown, Mizrob clown, Berdiyor judiciary, the activities of judges and treasury, Diyorov. There are basically two genres in clown the market, trade, impurity in the distribution of and amateur theater, which are called critique water to the rich and poor, theft, usury, and critique. From an aesthetic point of view, madrassas, schools, education and upbringing. there is no sharp barrier that separates these such topics as fraud among the clergy, deception two genres, but rather complements each other. of the common people, the khan's palace, the But both have a primary function: the main task dialogue of the people with the colonial in criticism is to criticize, humor, as well as administration. This is evident from the activities humor, ridicule the shortcomings of human of the troupes and their repertoire. nature in life, while the primary task is to replace I know, Muhammad Salih Bidiyorshum is a well- the man - man and woman, cat or child, creature, known artist who created and operated a behavior is considered. It is natural for a show in traditional theater school in the Fergana Valley. the genre of criticism to have mixed traits of She lived and worked during the reign of criticism. For example,