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РецензированоRU2026

COLOR CONCEPTS IN LINGUOCULTURAL CONTEXT: PEDAGOGICAL CONDITIONS FOR EFFECTIVE TEACHING

Arabova Gulinur Yuzboy qizi · Qarshi DU

Наука и технология в современном мире · 2026

Аннотация

В статье рассматриваются педагогические условия преподавания цветовых концептов на основе лингвокультурного подхода. Цвета отражают культурные ценности и эмоциональные ассоциации, характерные для каждого языка. Сравнение английского и узбекского языков показывает влияние значений цветовых слов на межкультурную коммуникацию. Рекомендуется использовать мультимодальные средства обучения — изображения, цифровые ресурсы и игры — для раскрытия культурного содержания цвета. Предлагается когнитивно-методическая модель, помогающая осмыслять цвет как символическое понятие. Исследование подчеркивает значение межкультурной компетенции в билингвальном образовании и предлагает практические шаги для культурно ориентированного преподавания английского языка. Ключевые слова: цветовые концепты, лингвокультура, межкультурная коммуникация, преподавание языка, когнитивная модель, билингвальное образование, символизм 55 ` Language and culture are deeply interconnected social phenomena. A language not only serves as a means of communication but also reflects the worldview, values, and cognitive framework of a particular nation. This is particularly evident in how color-related lexemes and their conceptual representations manifest across different languages. Color concepts are mental and cultural constructs developed by speakers in relation to specific colors. These concepts include psychological, cultural, and social associations that reflect unique features of national thinking. Thus, the study of color concepts holds significant importance in linguocultural research and in foreign language teaching, especially for developing intercultural competence. The semantic field of color terms differs significantly between languages. For instance, in English, the color "blue" is often associated with sadness, coldness, or calmness ("feeling blue"), while in Uzbek, the color "ko‘k" (blue) symbolizes the sky, divinity, and clarity. Such differences offer valuable material for linguocultural studies. In linguocultural studies, concepts—particularly color concepts—are viewed as systems of stable associations shaped by cultural experience. These are not merely lexical units but culturally embedded markers integrated into the linguistic worldview. For example, the color red in English may signify passion, danger, or prohibition ("red flag", "see red"), whereas in Uzbek, red is linked to joy, celebration, and gift-giving traditions ("qizil gullar", "qizil likopcha"). As stated by Brent Berlin and Paul Kay (1969) in their seminal work Basic Color Terms: Their Universality and Evolution, languages develop color terms in a universal sequence, yet their cultural meanings vary. Similarly, Anna Wierzbicka (1992), in Semantics, Culture, and Cognition, emphasizes that color semantics is shaped by culture-specific cognitive frameworks and emotional associations. These foundational theories support the idea that language learners must grasp not only the direct translation of color terms but also their deeper cultural meanings. Teaching color concepts in language education does more than expand vocabulary—it helps build learners’ cultural and emotional intelligence. In a bilingual context, it is crucial that learners recognize differences between conceptualizations of the same color in both source and target languages. Understanding the conceptual and cultural significance of colors enables learners to navigate the intersection of language and culture more effectively. For example, while “red” may evoke strong, alerting, or romantic emotions in English-speaking contexts (e.g., red lights, love, anger), “qizil” in Uzbek culture may signify beauty, festivity, and generosity. These distinctions reflect culturally constructed meaning systems and can only be fully appreciated through a linguocultural lens. Incorporating color concepts into language teaching enhances not only linguistic proficiency but also intercultural awareness. Students become capable of analyzing the same lexical unit through multiple cultural frameworks. Especially in the bilingual classroom, teaching color concepts fosters critical thinking about language and symbolism. Color-focused educational activities—such as visual presentations, metaphor comparisons, and contrastive analysis—support the development of analytical and associative thinking. For example, comparing color metaphors in English and Uzbek strengthens learners’ understanding of figurative language, connotation, and cultural framing. 56 ` Activities like concept mapping, phrase translation (“feeling blue” vs. “ko‘ngli xira”), or thematic visual tasks provide deeper cultural insights. Integrating tasks that relate color to national values (e.g., religious, historical, or seasonal color symbolism) helps learners grasp the layered meanings behind everyday language. The application of multimodal learning tools—such as slides, images, infographics, videos, and cultural maps—plays a crucial role in enhancing conceptual understandi

Доказательный фрагмент

«В статье рассматриваются педагогические условия преподавания цветовых концептов на основе лингвокультурного подхода.»

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Демо-превью

В статье рассматриваются педагогические условия преподавания цветовых концептов на основе лингвокультурного подхода. Полный текст публикации CiteX не хранит — доступ к первоисточнику открывается по DOI согласно лицензии издателя и выбранному плану.

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Страна
Узбекистан
Ключевые слова
color concepts, linguoculture, intercultural communication, language, bilingual education, cognitive model, symbolism, language teaching
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