A POET BORN FOR THE STRUGGLE

Аннотация

In this article, you will learn about the collections of memoirs about the poet, which serve as important sources for studying Hamid Olimjon's work, and the authors' analysis of the unique aspects reflected in Hamid Olimjon's poetry, drama, and journalism, the poet's life path, his entry into creativity, and his early collections of works that are subject to literary analysis. Keywords: article, literary criticism, poetry, journalism, poetry, art. Hamid Olimjon, one of the prominent figures of 20th-century Uzbek literature, left an indelible mark on the history of our national literature with his rich and multifaceted work. He made significant contributions to literature in poetry, epic poetry, dramaturgy, and translation, selflessly serving to awaken the national consciousness of the Uzbek people and strengthen their spiritual and educational development. In Hamid Olimjon's works, the life of the people, national values, the spirit of independence, and the ideas of humanism and goodness occupy a central place. His elegant lyrics vividly express the feelings of the poet's heart, loyalty to the Motherland and the people, and love for beauty and life. By studying the poet's work, we understand not only his personal artistic skill but also the socio-spiritual landscape of his time. There are numerous memoirs, recollections, and articles about the writer's life, literary activities, and his literary portrait. We will recall them one by one and present historical facts and information about his work and writings. First, under the editorship of Hamid Olimjon's wife, the refined poetess Zulfiyaxonim, a collection of memoirs about Hamid Olimjon titled "You Live in the Heart of My People" was prepared and published by H. Sulaymonova. This collection includes Oybek's article "My Memories of the Poet," in which he recounts his first meeting with Hamid Olimjon, his impartial and sincere assessment of the poet's work after reviewing his first poetry collection, and how he saw Hamid Olimjon as a young and energetic creator. Gafur Gulyam's article "Remembering Hamid" recollects interesting events from their youth and student years, memorable life stories from their joint creative journeys, and Hamid Olimjon's development from a young, vibrant creator to his leadership role in the Writers' Union. He fondly remembers how Hamid Olimjon's leadership qualities harmoniously coexisted with his poetic abilities. Mirzo Tursunzoda's "Memory of the Fiery Poet" expresses his impressions of his first meetings with Hamid 55 THEORETICAL ASPECTS IN THE FORMATION OF PEDAGOGICAL SCIENCES International scientific-online conference Olimjon, noting the poet's deep knowledge of the great poet Navoi's work and how this influenced the preservation of Uzbek classical poetry traditions in Hamid Olimjon's work. The memoirs of prominent folklorist Hodi Zarif, "Patriot of Uzbek Folklore," and scholar Muzayyana Alaviya, "Always Alive," highlight Hamid Olimjon's contribution to the continuation of Uzbek folklore and epic traditions. They mention his role not only as a poet but also as a folklorist who wrote and prepared the epic "Alpomish" for publication and had ambitious plans to compile an anthology of Uzbek folklore. Lastly, the article "The Poet's Last Days" by renowned poet Uygun, Hamid Olimjon's close friend and contemporary, is noteworthy. Based on real-life events, Uygun narrates Hamid Olimjon's creative journeys, his active involvement in the literary process, and his human qualities. The article even recounts the poet's thoughts and experiences during his tragic accident, his physical condition, and his final days. Readers of these memories gain insight into Hamid Olimjon's great personality and creative abilities. The most significant aspect of this collection of memoirs is that it includes the recollections of the poet's mother, Komila aya Azimova, titled "Abdulhamid's Youth." She was the woman who laid the foundation for Hamid Olimjon's development as a sensitive poet and played a key role in his life. In this section, Komila aya recalls important life events from the poet's birth to his maturation as a poet, illustrating Hamid Olimjon's youthful character and human qualities through examples from his life. For instance, she remembers that when she noticed his passion for writing and drawing in childhood and asked, "What are you doing, growing flowers from stone?," the young poet replied, "Writing poetry is like growing flowers from stone, mother." She recollects that his creative abilities were strong from a young age. Furthermore, the memoirs of Russian and other non-Uzbek poets and writers who admired Hamid Olimjon's work, collaborated with him in the literary process, maintained friendly relations, and respected his creativity, serve as evidence of the breadth of his influence. Among these are Nikolai Tikhonov's "Thoughts," Lev Penkovsky's "Always Young," and Edi Ognetsvet's "Unforgettable Days," which are valuable sources for studyin