The Genesis and Development of Artistic Psychologism In Uzbek Storytelling

Аннотация

This article discusses the genesis and development of artistic psychologism in our storytelling, how psychologism is manifested in modern stories. Special attention is paid to the uniqueness of famous storytellers in creating an image of the hero's psyche. It also discusses the possibilities of psychological imagery inherent in the story genre. Keywords: Story, image, psychological and spiritual imagery, realism, social life, era, modernism. enter the spiritual world of the main character and Introduction: Among the genres belonging to the epic created images in accordance with human nature and type, the story, especially the psychological story, is psyche, which became one of the many literary considered the genre most used by the creators of innovations of this era. After Qodiriy and Cholpon, such today's literary process. Since the story reflects a small masters of storytelling as A. Qahhor, Oybek, G. Ghulom fragment of life, and since one or more life events are entered our literature, and their stories took their place recorded in it episodically, it requires great skill and in the history of our literary treasure as beautiful talent from the writer to consistently and in detail examples of realism. Although the stories written by illuminate the spiritual world of the hero, to deeply and these writers are characterized by the foregrounding of fully reveal the “dialectic of the soul”. In large or sociality, they should be recognized as original works medium-sized prose works such as novels and short due to their unique characters, new methods of stories, the writer has ample opportunity to look into expression, and the author's skill. Such stories include, the character, psyche, and soul of the hero and first of all, Oybek's "Father the Lamplighter", "Sister penetrate into the depths of his soul. Gulnor", Abdulla Qahhor's "Bemor", "Dahshat", and The first examples of stories in Uzbek literature that Gafur Ghulam's "Bobo Kayfiy". It should be especially meet the requirements of the genre, approach a noted that in this period, according to the method of person as a person, and consider highlighting his socialist realism, creators were supposed to illuminate psychology as a primary issue, were written by young the life of the working people, divide the characters writers. Literary critic Dilmurod Kuronov, in his book into positive and negative characters, and draw the “Analysis of the Spiritual World”, dedicated to the positive hero only in white, and the negative heroes in analysis of the novel “Night and Day”, calls the first completely black. This situation is also observed in novel-dilogy in our literature a “social-political stories such as "Thief", "Pomegranate", "Patient", "My psychological novel”. It seems that no matter how Only Thief's Child", which are examples of high word art exaggerated the sociality in Cholpon's works is, they are and skill, captivating the reader with the charm of not far from depicting the turmoil of the human artistic language. Their main difference from today's spiritual world. This feature is also characteristic of the modern stories is that socialist realism deprived writers writer's stories. A number of Cholpon's stories, such as of the opportunity to delve deeper into the human "On Moonlit Nights", "Lola in the Snow" and "The psyche, to observe psychology more broadly, and to Baker's Girl", were the first signs of realistic storytelling look at the essence of the human being from different emerging in our literature. Abdulla Qodiriy, in his angles. Naturally, this demand did not fully justify itself, stories such as "Uloqda" and "Jinlar bazmi", sought to and therefore its life was short. After all, as Otkir American Journal Of Social Sciences And Humanity Research 93 https://theusajournals.com/index.php/ajsshr American Journal Of Social Sciences And Humanity Research (ISSN: 2771-2141) Hoshimov put it, "A human being is not an electric wire, life from a spiritual and philosophical perspective, can this be divided into positive and negative?!" These characteristic of our modern storytelling, is stories have been studied as mature examples of the fundamentally different from the principle of narrative genre in our literature. For example, in the sociological interpretation that dominated literary and book “Secrets of Mastery”, co-authored by Umarali artistic creativity in the 60s and 70s of the last century. Normatov and Matyokub Qoshjonov, various aspects Starting from the 80s and 90s of the 20th century, the of A. Qahhor’s stories are studied, in particular, from scope of using artistic psychologism, its methods and the point of view of psychological analysis, and in the means in Uzbek storytelling began to expand. The writer’s story “The Thief”, the problem of the hero’s number of examples of creativity in which more psyche is analyzed in detail. It should be noted that the emphasis was placed on the depiction of the psyche above book was one of the first studies on