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РецензированоEN2013

Comparison of main characters in Uzbek and English folklore article

Khurramova Dildora Fozil qizi

Анализ актуальных проблем, инноваций, традиций, решений и художественной литературы в преподавании иностранных языков · 12-13 · 2013

Аннотация

Uzbek and English people live in several regions, be that as it may the similarity in subjects, classification and representation of heroes can be watched in their fables. Fairy tales, stories, myths, legends, reflect the way of life, culture, convictions and worldview of each country. They summarize national viewpoints for beyond any doubt. National identities are reflected in pictures of heroes and partners in any sort of legends. Key words: pixie, folklorist, folk tales, ideological level, history, culture, comparative-typological, historical comparative, protagonist, national aspect, English fairy tale, Uzbek fairy tale. Mindfulness of other societies requests examinations in many spheres, counting writing and fables. Comparative-typological and historical comparative examination of the picture of epic aide are the most strategies utilized in our research. The picture of the supporter holy person heroes is established in pre-Islamic. They are based on old animistic, totemic, and shamanistic religiousmythological concepts. Hence, the names “epic helper” and “epic sponsor” are utilized for them. In English old stories pixie adoptive parents, talking creatures such as horse, fox or bird serve as aides. In Uzbek society stories and sagas, creatures such as steeds, wolves, lions, monkeys, tigers, snakes, foxes and rams are regularly translated as groups and helpers as having entranced properties. Since the people of old envisioned streams and seas, mountains, deserts and timberlands as places where spirits might discover a put, the epic helper too abruptly experiences the hero straightforwardly in such places. Conclusion: Partners can be recognized in nearly all fairytales all through the world. They may have diverse characteristics, particular highlights as they have a place to different countries. In any case, the theme is comparable ―to donate bolster, counsel or a hand to people in require. Aides in English and Uzbek old stories can be separated into similar types. Heroes, as well as aides in people stories encapsulate national perspectives and national identities of culture they have a place to. Folklore is the mirror of the nation. It reflects customs, beliefs, lifestyle, culture and worldview of people. The number of pixie stories (of Britain, America, Australia and other Englishspeaking nations) interpreted into Uzbek by the people groups is developing each year. Tales such as "Snowwhite and the Seven Midgets", "How Jack went to look for his fortune", "Beauty and the Monster" are among them. It is known that in pixie stories, the protagonist favors humankind to his possess interface, endeavors to do great to everyone (whether human, creature or animal), overcomes fiendish and spares the casualty, and when the time comes, such bolster is raised to a tall ideological level. Russian scholar, folklorist Vladimir Yakovlevich Propp analyzed Russian folk tales discovered a donor character in them, which helps or gives advice to the protagonist only after setting tasks, making a query. A prominent English folklorist Katharine Briggs investigated the images of fairies, hobgoblins, brownies and other supernatural creatures and researched the types and motifs of fairy tales. She considered 65 fairies and brownies to be helpers to the main hero. Russian scholars A.N. Svetkova, Y.M. Meletenskiy, F.G. Fatkullina carried out them researches on the images of mythological, cultural and supernatural characters and related them to the history and culture. Concurring to Carol K. Mack demons are one of old spirits and they are frequently depicted as unpredictable, magical and riveting [4]. Hizr is a common helper in Uzbek folklore. He is depicted as a patron, guide and a facilitator. It is worth noting that in the folklore of Turks, including the Uzbek people, Hizr usually appeared to people as an old man with a white beard, dressed in white, and supported him. Several scholars investigated this character. [1] G. Akramov also admits that the image of Hizr was formed under the influence of ancestral beliefs and shamanism, and this image served as a basis for mythological elements for the whole ―Goroglyseries of epics. [3] G.Jalolov`s supposition that ―in pixie stories, Hizr is seen as a supporter of the hero, reason of giving children to the childless, and in common a solver of the people`s problemspermit us to shed more light on the nature of this character. Often, the picture of an advisor summarized within the frame of an ancient and enlightened ancient lady or an ancient man is really based on the truth that individuals see at the soul of their sacred predecessors at the level of benefactor religion. It is well-known that the realities that make up the plot of fairy tales and epics of all peoples of the world end in good, mainly in the form of a victor over good, a triumph over evil. In this case the motif of the epic hero`s sudden, unseen or pre-existing help to a creature or a person, to save him from something, to

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«Uzbek and English people live in several regions, be that as it may the similarity in subjects, classification and representation of heroes can be watched in their fables.»

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Uzbek and English people live in several regions, be that as it may the similarity in subjects, classification and representation of heroes can be watched in their fables. Полный текст публикации CiteX не хранит — доступ к первоисточнику открывается по DOI согласно лицензии издателя и выбранному плану.

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Узбекистан
Ключевые слова
pixie, folklorist, folk tales, ideological level, history, culture, comparative-typological, protagonist, national aspect, Uzbek fairy tale, historical comparative, English fairy tale
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