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РецензированоRU2025

THE PHENOMENON OF KINOYA AND ITS LINGUO-SEMANTIC ANALYSIS IN TWO LANGUAGES

НА ДВУХ ЯЗЫКАХ · Abduqodirova Madina Abduqayum qizi · Jalolov’s point (Student of Tashkent state transport university) · Rauf Parfi’s arguments. (Student of Tashkent state transport university)

Образование наука и инновационные идеи в мире · 3 · 41–58 · 2025

Аннотация

В данном исследовании киноя рассматривается как особое лингвистическое и культурное явление. Анализируются лингвосемантические особенности киноя в двух языках с выявлением общих черт и различий в его употреблении. Особое внимание уделяется культурным факторам, влияющим на проявление киноя в разных языковых средах. Результаты исследования способствуют более глубокому пониманию механизмов иронии, сарказма и косвенного общения в межкультурной коммуникации. https://scientific-jl.org/obr 1 1 6 Выпуск журнала №-69 Часть–2_ Мая –2025 ОБРАЗОВАНИЕ НАУКА И ИННОВАЦИОННЫЕ ИДЕИ В МИРЕ 2181-3187 Ключевые слова: Точка Гиоры, Пример Грайса с анализом, Навоий "Хамса",Точка Жалолова,Аргументы Рафа Парфи Annotatsiya. Ushbu tadqiqotda kinoya o‘ziga xos lingvistik va madaniy hodisa sifatida o‘rganiladi. Unda kinoyaning ikki tildagi lingvosemantik xususiyatlari tahlil qilinib, uning qo‘llanishidagi umumiylik va farqlar aniqlanadi. Tadqiqotda kinoyaning turli til muhitlarida namoyon bo‘lishiga ta’sir qiluvchi madaniy omillarga alohida e’tibor qaratiladi. Olingan natijalar madaniyatlararo kommunikatsiyada istehzo, kinoya va bilvosita ifodalanish mexanizmlarini chuqurroq tushunishga xizmat qiladi. Kalit so’zlar: Gioraning nuqtai nazari,Graysning tahlil qilishdagi misoli,Navoiy "Xamsa",Jalolovning nuqtai nazari,Rauf Parfining dalillari Introduction. In human communication, not all meanings are conveyed directly; often, speakers rely on implicit messages, hints, and emotional nuances to express their intentions. One of the most fascinating forms of indirect communication is kinoya — a phenomenon that encompasses irony, sarcasm, concealed criticism, or humor through verbal means. Unlike straightforward speech, kinoya requires both the speaker and the listener to share a certain cultural and contextual background, making it a sophisticated tool for social interaction. The study of kinoya is important because it reflects the deep relationship between language, culture, and psychology. Understanding how kinoya functions provides insight into a community’s value systems, humor traditions, and norms of politeness and criticism. Furthermore, as global communication increases, interpreting such nuanced forms correctly is crucial for effective intercultural dialogue. Although kinoya exists in many cultures, its realization in different languages can vary significantly. Linguistic structures, semantic fields, stylistic devices, and cultural conventions all influence how kinoya is expressed and understood. Therefore, a comparative study of kinoya across languages offers a unique opportunity to explore the interplay between language and thought. This research is devoted to the linguo- semantic analysis of kinoya in two languages (specify which languages, Uzbek and Russian or English and Russian). It aims to identify the main linguistic means used to https://scientific-jl.org/obr 1 1 7 Выпуск журнала №-69 Часть–2_ Мая –2025 ОБРАЗОВАНИЕ НАУКА И ИННОВАЦИОННЫЕ ИДЕИ В МИРЕ 2181-3187 create kinoya, the semantic mechanisms underlying its function, and the cultural specifics that shape its use. The methodology of the study includes qualitative analysis of examples from literary texts, colloquial speech, media, and possibly social media discourse. A contrastive approach will be applied to compare and highlight the similarities and differences in the expression of kinoya across the selected languages. Ultimately, the research seeks to contribute to the fields of linguistics, pragmatics, and intercultural communication by offering a detailed understanding of how meaning can be artfully shaped, disguised, and interpreted through kinoya. Literature review. The phenomenon of kinoya, closely associated with irony, sarcasm, and indirect speech, has long attracted the attention of linguists, philosophers, and cultural theorists. Scholars have approached kinoya from different angles, including its semantic structure, pragmatic function, cultural specificity, and psychological underpinnings. In addition to pragmatic theories, semantic studies have explored the structural aspects of irony and kinoya. Researchers have identified various linguistic markers associated with ironic or sarcastic expressions, including specific intonation patterns, lexical choices, and syntactic constructions.Giora is a good example for this point.This is because, according to Giorra’s point when listeners encounter an utterance, their minds first access the most salient (most familiar, frequent, and conventional) meanings of words or expressions. This process happens automatically, regardless of the immediate context. Only afterward, if necessary, do listeners reinterpret the utterance to find a nonliteral or ironic meaning. These linguistic features provide clues for recognizing kinoya even when the literal meaning suggests the opposite of the intended message. Giora’s theory is particularly useful for understanding how kinoya functions differently across languages and cultures. In some

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Узбекистан
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Giora’s point, Grice’s example with analyzing, Navoiy “Xamsa”, Rauf Parfi’s arguments., Jalolov’s point
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