THE PLACE OF DIALOGUE IN THE POETICS OF THE NOVEL GENRE

Аннотация

The article covers the issues of the poetic function of dialogues in the depiction of the artistic psyche, ensuring the logical development of artistic thought, elucidating the essence of semantic, poetological and polyphonic signs of speech, andtheaesthetics ofunderstanding. Keywords :Novel, dialogue, psyche, psychological image, character, image, hero . Today, in our literature, the traditional psychological means of depiction have become more symbolic, and there is a special need to study the inner world of the hero in connection with the essence of the social environment in which he lives. The spiritual needs of today's reader, who looks at man and society, and past history with a new perspective, cannot be satisfied with works consisting only of detailed events. Because today's man seeks to know and understand not only the external appearance of the hero, but also his motivation (intention), his inner dialectic. Today's manis nota gullibleperson, but athoughtful, conscious, thinking person. The writer Khurshid Dostmuhammad typifies the serious changes in the psyche of the contemporary man, creating the image of a modern hero, a young man Fozilbek, "sometimes using elements of modernism, sometimes principles of realistic depiction, sometimes romantic colors." The writer simultaneously creates both the image of the "bazaar" and the image of the hero's spiritual experiences in the process ofplot development. In thecurrent era, when the social thinking of human society is rapidly developing, creating the image of a "modern hero" is the maintask foreverynovelist. In literature, the artistic character is the artistic will of the work, the direction of the will that has arisen in a certain social situation, including individual signs, and has acquired social meaning. Only the will of the person that has arisen on the basis of social conditions provides the artistic and ideological basis of the character in the work . As the scientist M.Koshjonov rightly noted, the character of the hero in the novel "Bozor" is also a spiritual, philosophical interpretation in thework of art that has arisen as a necessity due totoday's social market conditions. The writer, while creating the problems of the era and the character of the hero of the era in the novel, pays attention not to the simple ups and downs of life, but rather to the depiction of the inner will of a person, which is related to the future. That is why the dialogues between the characters created by Khurshid Dostmuhammad are not so simple conversations, but rather polyphonic speeches. Thepeculiarity of the useof dialogues in thenovel "Bozor" (in comparison with novels written in the traditional style) is that, observing the dialogues between the characters, you also enter intoa debatewith them ona certain problem. Awakens a sense of awareness in your heart and encourages you to think about the era and human problems. Not only that, it encourages the reader to think logically and to understand the image ofthe era and the psyche of its hero with heart and mind. The ability to "revive" the image of the hero of the era in fiction, that is, to listen to their hearts through dialogues, is a sign of the writer's high skill. Clear feature of the novel is that the writer, while remaining in real life, skillfully uses romantic colors and modernist images to further enhance the idea of the work during the development of the plot. The exposition of the work also begins with the unique epigraph "The beginning of the https://ijmri.de/index.php/jmsi volume 4,issue5,2025 1066 world is a flower garden, the middle is a cemetery, between the flower garden and the cemetery is a market" and the image of the symbol of "Bozor". In revealing the people of our time and the image of " Bozor", the main character Fozilbek skillfully used polyphonic dialogues between Qosimbek, Diyorbek, Qadriya, Bahtish, Von Suu, G' ulomjon, Egam Baba. All dialogues in the development of the plot are not simple conversations , but figurative speeches that create character. Three main plot lines in the work . These are: "Bozor", love and enlightenment . During the development of these three plot lines, the writer artistically analyzes the problems of the era, such as man and "market", manand love, man and enlightenment, man and kindness. Used dialogues of a psychological nature, mainly to reveal the characters of Fozilbek and "Bozor", appropriately and effectively . Converses with people from different backgrounds and ages,and as this dialogue (system) grows, it illuminates the true face of the "Market" (those who have put even pure human relationships intothe"marketplace"). -Fozilbek's heart suddenly softened. "None of these little things are in vain, brother," he said with a sigh, "all these are signs of indecency... always the wisdom of evil when the devil is in the market." Diyorbek's head swelled. When he opened his mouth, not hiding the fact that his neck was starting to stiffen, Fozilbek conveyed h