REPRESENTATION OF NATIONAL VALUES IN KHAYRIDDIN SULTON'S LITERARY WORKS

Аннотация

In three articles, the artistic and linguistic characteristics of national-cultural lexical units in the works of the scholar Khayriddin Sultanov are highlighted, their connection with literature, national thought, historical memory and cultural people. , the semantic load of these units as a qualitative language, the stylistic role and the methodology of the conclusion research areanalyzed. Keywords: national-cultural lexicon, Sultanov, artistic thought, linguo culturology, value, imagery, language and culture. National culture expresses the unique historical thinking, traditions, values, and worldview of each people. This thinking is reflected, first of all, in the language, and especially in literature. Literary critic Khayriddin Sultanov, in his scientific views and artistic analyses, paid special attention to cultural lexical units. He interprets the literary language as an expression of the people's thinking. Lexical units expressing the historical and cultural heritage of the Uzbek people acquire deep semantic and stylistic content in his analyses. National cultural lexical units are words or phrases that are characteristic of a particular culture or country. These units can give an idea of ​ ​ the history, values, and traditions of a particular people, and they often reflect the specificfeatures ofthat culture. In this essay, we will explore the unique characteristics of national-cultural lexical units around the world, focusing on how they can enhance our understanding of different societies. Oneof themost fascinating aspects ofnational lexical unitsis that they can capture the views of a culture in a single word or phrase. For example, the Finnish word “sisu” embodies the experience of achieving results, determination, and perseverance. This term refers to the Finnish national law and the ability to overcome obstacles through effort and scrutiny. National-cultural lexical units also reflect a country’s unique history and traditions. For example, the Japanese word “wabi-sabi” denotes thebeauty of imperfection and changelessness, a concept deeply rooted in Japanese aesthetics and philosophy. This term emphasizes the Japanese appreciation ofsimplicity, understated elegance, and the transient nature oflife. National-cultural lexical units are understood as a set of words and expressions that are characteristicofthehistorical, cultural, religious, customsand traditionalthinking ofthepeople. Khayriddin Sultanov, in analyzing these areas, seeks to jointly reveal the linguosemantic, poeticand culturological layers of lexical units. He justifies the fact that the use of these words in the article is not in the information text, butas ameans ofinformation ofmentality, but as acultural codeand asymbol ofmemory. page1530 INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE ISSN:2692-5206,ImpactFactor:12,23 AmericanAcademicpublishers,volume05,issue06,2025 Journal: https://www.academicpublishers.org/journals/index.php/ijai In addition, national-cultural lexical units can illuminate the values ​ ​ ​ ​ and social norms of society. In the Philippines, the term "pakikipagkapwa-tao" emphasizes the importance of treating others with respect, empathy and sympathy. This term reflects the Filipino value of collective harmony and interdependence, as well as confidence in the intrinsicvalue and dignity of each person. In addition, national-cultural lexical units can provide information about the country's natural environment and geography. In Iceland, the word "tölt" refers to the specific gait of its horses, characterized by a straight and fast gait. This term reflects the close relationship between Icelanders and the court itself, as well as the importance of horsemanship inIcelandic culture. Sultanov associates religious terms, ethnographic lexical units in folk art and written literature - for example, dugona, ehson, tushlik, iftar, sufi, dugoh, national clothing names - with a specific national consciousness. The results emphasize the deep poetic load of Islamic and mystical terms in Navoi's works, and the social lexicon of folk life in the works of such creators as Oybek, Gafur Ghulom, and Chulpon. In addition, national-cultural lexical units can have an idea of ​ ​ ​ ​ the culinary traditions and gastronomic delights of the people. The Italian term "dolce far niente" includes the pleasure of doing nothing, enjoying the simple pleasures of life and taking time to enjoy. This term reflects the Italians' love for food, relaxation,and theart of livingwell. According to Sultanov. According to Sultanov, the artistic image of the Uzbek literary language acquires a high national expression through words related to traditions and ceremonies. For example: wedding, bride's greeting, karakouz, flowers of the resurrection, sunnat wedding, feelings, etc. are interpreted as poetic expressions of folk culture. These units describe the social life, value system, and emotional world of the people in the literary text. Sultanov sees thes