LINGUOPOETIC FEATURE OF THE WORK OF GULJAMOL ASKAROVA

Аннотация

This article is dedicated to the life and work of the famous poetess Guljamol Askarova, who grew up in the literary environment of Kattakurgan. The phonetic-phonological, lexical-semantic, morphological and syntactic features of her poems are highlighted in terms of linguopoetics. The article is written in a combination of biographical approach, literary and linguisticanalysis. Keywords:analytical, synthetic, morphological indicator, phonetic dialectism, individual speech neologism, emotional-expressive expression, phraseological synonymy, lexical synonymy, morphological parallelism. Askarova Guljamol Shodmanovna is a poet who entered Uzbek literature at the end of the 20th and beginning of the 21st centuries with her uniqueelegant style and delicate way of expressing words. She was born on March 5, 1978 in the village of Beshdargat, Kattakurgan district, Samarkand region, into a peasant family. She is Uzbek by nationality. In 1998, she took the highest place at the Zamin Traditional Seminar of Young Writers of the Republic, held by the Writers' Union of Uzbekistan and theJizzakh regional administration. In the same year, she was accepted into the membership of the Writers' Union of Uzbekistan for her many achievements in literature. During her school and student years, G. Askarova came to the attention of such great poets and writers as Abdulla Oripov, Muhammad Yusuf, Halima Khudoyberdiyeva, Shukrullo, and Tursunoy Sodiqova, who wished the artist well and wrote forewords. She regularly published her poems and articles in the press. Her poems have been translated into various languages. In particular, her poems have been translated into Russian. In 2001, she was awarded the Zulfiya State Prize for her achievements in literature and social activities. To date, Guljamol Askarova has published 9 poetry collections: "Season of the Heart" (1998), "Light" (2000), "Wake-up Call" (2003), "Baht dastxati" (2004), "Uyg'otuvchi alla" (2007), "Gulnoma" (2008), "Turnalar yo'li" (2010), "Erkalik izdiktai" (2013), "Oshiqlar amulet" (2013). Currently, she is preparing a new book for publication, which contains more than 200 poems. Guljamol Askarova has a unique linguopoetic analysis of her work. In particular, in prose works, the writer uses phonetic methods such as lengthening vowels, layering consonants, repeating sounds, pronouncing words incorrectly, raising and lowering sounds to express certain meanings and relationships, as well as themental stateand emotions ofthecharacters. However, in poetic texts, the aesthetic possibilities of speech sounds are more clearly visible, and the poet uses phonetic methods such as assonance (repetition of vowels), alliteration (repetition of consonants), gemination (layering of consonants) to enrich the essence of the work, reflect the experiences of the characters, and increase the musicality and expressiveness of speech. GuljamolAskarova alsoskillfully uses these phonostylisticmeans in herwork: Isawthat your heart was higherthan mine, Whowas I in your world? page1280 INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE ISSN:2692-5206,ImpactFactor:12,23 AmericanAcademicpublishers,volume05,issue06,2025 Journal: https://www.academicpublishers.org/journals/index.php/ijai Finally, begging, sad and cold, Thus, mylovedied at your feet [1,13]. The author has managed to increase the impact of the poem, make it close to the heart, and makeit emotionalthrough abeautiful exampleofalliteration usingtheconsonants kand m. Yourhands caress mine, Yourpaths touch the flowers, Seeing thebeauty oftheseflowers, onebyone, Imusthave reached autumn and then wither. [1,30]. The poet has created a beautiful example of assonance through these lines. Guljamol Askarova uses the method of combining sounds in these lines to express the lyrical hero's hatred and angertowards someof hiscompatriots and toenhance themeaning: Whydon't thesepeople understand theirnationality? Whydoes my heart andeyes feel sleepy? They kick thefallen and bowto thesky. They livebystriking theirroots withan axe. [2,17]! An expression of adding or strengthening meaning. The author sometimes uses double consonants as ameans of expressing emphasis in poetry to support or justifyhis thoughts: Look, weall have thesadness of money Orthesadness ofa singlesmooth road, Don't thosewho say"My people" mean "My people"? Comeon,who has thesadness of theheart [2,21]. In the process of linguistic analysis of a literary text, it is necessary to identify lexical units that demonstrate the writer's mastery of language use, in which emotional-expressive semantics are realized in a bubble, and to reflect on the extent to which they served the writer's artistic and aesthetic purpose. To do this, synonymous, figurative, antonymous, ambiguous, historical and archaic words, new constructions, dialect words, foreign and vulgar words in the language of a literary work are isolated and the purpose for which they were introduced into the work is explained. In linguistics