STYLES OF TEACHING VOCAL ART TO MUSICAL THEATER ACTORS

Аннотация

In this article, several points were made about the need for students of vocal science to improve their literacy in vocal science, to our students of musical theater acting. We tried to study a number of views in our article about the task of educators and the necessity of studentsin theprocess of mastering vocal science. Keyword: vocal, pedagogue, theatre, actor, art, music, breath, diaphragm, stokatto, legato, ensemble, classics, aria, ariosa, opera, romance. Today, inthe Uzbek state academic musical theater named after Muqimi, there is a significant need for young actors and actresses with a wide range of voice acting roles. Therefore, in the field of musical theater, among other areas, today the need for young, talented personnel has become amorepressing issuethan ever before. Thegreat theater theorist K.,who devoted his whole life, knowledge and experience to creating asystem of theart of aquariums.S.Stanislavski was a singing actor and in his research onthe art of musical theatre he tried to theoretically justify the issue of making an actor for musical theatre. What should a musical theater actor pay attention to in order to master the skillof being able to sing to him in harmony, acting purposefully on stage? To what extent does the Institute master the technique of vocal art in combination with the acting skills of students specializing in the educational direction “musical theater acting”? Can a large saxophone break through the sound of a symphony orchestra and reach the last row of the performance hall? Can Holda, holding the dramatic mood given by the author in the play, perform Arias and duets? As we all know, this institution is considered an educational institution with legal authority in the issue of supplying specialist personnel to all theaters operating in our republic, in particular to the Uzbek state academic musical theater named after Muqimi. If we think about the extent to which practical work is being carried out at theInstituteonthisissuetoday? We all know that students studying in the direction of” musical theater acting " are taught special vocal studies so that from the first year they can master vocal techniques. Many experienced professors and teachers work in the vocal department. Among them are professors el knows, artists who have won the love of the people from art figures to experienced teachers who have devoted their lives to field pedogogy, and promising young teachers who have recentlygraduated precisely inthe direction of musicaltheater acting. Each professor will have a style of conducting lessons based on his professional experience, knowledge and skills. Depending on the nature of the field, pedoggers do indvidual work with each student. In addition to cultivating the student's voice opportunities, musical theatre actors are also sought after in the issue of developing the required singing skills. The professors and teachers of the department set for themselves such tasks as educating the aesthetic and artistic taste of students through the means of vocal art, continuously demanding work in the development of their performing abilities, introducing them to the works of Uzbek composers, vocal works of fraternal peoples, as well as rare works created by foreign composers, forming singing skills in a professional style. In the course of the lesson, tasks such as providing page740 INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE ISSN:2692-5206,ImpactFactor:12,23 AmericanAcademicpublishers,volume05,issue06,2025 Journal: https://www.academicpublishers.org/journals/index.php/ijai education and training to students, training them as deeply educated, highly qualified specialists who meet world standards, developing students artistically, teaching them vocal techniques, its secrets, at the same time forming vocal skills, introducing them to a number of didactic aspects ofvocal pedagogy, from systematic, consistency, simplicity tocomplexity, individualapproach. What should be valid so that students of musical theater acting perfectly possess the secrets of vocal mystery. – The breathing process is carried out completely in the abdomen, and the distribution of breathing is very important. -Be aware oftheresonant and volatilityof thegenerated sound. -Pronunciation ofwords burro, stretching vowel sounds, smoothsound form. –Being able to generatesound dynamics in singing, skillfullyin escalating curtains useit. -Singing in Legatoand staccato. -Being ableto usetherechitativestyle, based ontheword andcharacterof thework. -In thedirection ofamusical instrument, as well as unison ormulti-voiceensembles tobe ableto sing as a solosingerinthecourtship. -Being ableto sing works of different character impressively. In order for the student to master the qualities listed above, it is required to be sought after by reading without punctuation in the course of four years of study. Only a student with the mentioned qualifications-skills-will be able to become a competent specialist for music