RADIO LANGUAGE AND METHODOLOGICAL FEATURES

Аннотация

The primary characteristic of radio as a rapid information dissemination medium is that the information is based on documents. Broadcasts need to be factual, current, and supported by evidence. Research has been done on radio speech as a genre speech. There is now no profound scientific explanation for this linguistic phenomena. Thus, it is important to examine radio speech as a form of cultural communication. The speaker's level of linguistic expertise either dictates or influences the quality of radio texts. Keywords: integrity, commonalities, author's voice, restrictions, classification, applications, colloquial speech, literary language, publications. Introduction. M. P. Zarva's opinions on the unique linguistic and stylistic framework of radio transmission and radio language, as well as its characteristics—such as its dual nature—are especially significant. He asserts that while all of the shows on the air share linguistic integrity and commonalities, they also differ from one another in terms of theme, genre, and style. The speaker should be emotionally vivid, the information in the radio texts is ambiguous, the author's voice is enjoyable to listen to, the phrases are brief and straightforward, the biblical rules are not followed, and the content is clear. Speech based on direct radio communication is subject to the law of communicative expediency. The speaker does this by choosing language tools that enable him or her to select the best alternative required for a given speech scenario. This circumstance also gives you the opportunity to find unique techniques that differ from the discourse in the Bible and add interest. Main part. Although there are certain restrictions, radio speech can look "pure." He mentions the "written-oral" and "biblical-spoken" pairs of speech and claims that Aristotle was aware that oral communication was more precise than written communication. He emphasizes the distinction between written and non-written speech in Rhetoric. Even when employing prepared information, the most skilled speaker in improvised speech looks for the appropriate words and phrases to convey their point of view, according to D.J. Whippl. They are apprehensive and frequently repeated. They frequently make grammatical errors. However, these errors cause them to improvise their speech. The way the content is expressed is given particular consideration in the language of the media. However, this is completely ignored in spoken communication. This is an area of speech that is coded but by no means fully prepared, as it collides with colloquial language in the setting of electronic media. A few remarks regarding oral discourse in oral media texts; O.A. Lappeva's work also reflects this. In contrast to the written form, the oral form of contemporary literary language is primarily separated into spoken and expressive forms, according to the scholar. The qualities of the means employed determine the degree to which oral speech's duration and integrity, as well as its opposing forms—that is, the speaker's prepared and spontaneous (unprepared) speech—are displayed. In addition to being "spontaneous," television speech is also dependent on the printed text's content and unpredictability. O.A. Lapteva served as the foundation for the classification of television and radio as a communicative-functional form of oral literary language in this instance. O.A. Lapteva asserts that the speech patterns of radio and television are comparable. Radio speech can be 1380 ResearchBib IF - 11.01, ISSN: 3030-3753, Volume 2 Issue 6 classified as a really communicative-functional kind of oral literary open speech because to the aforementioned factors. The range of applications dictates where the radio speaker should be placed. Colloquial speech and coded literary language are available on public speaking radio. One of the linguistic characteristics of this system that was embodied in it was Radioutq. The features of any text are present in radio text. They are as follows: 1) describes a non-native speaker; 2) the content is comprehensive; 3) has a certain tone; 4) is communicative in nature; 5) is meant for audiences; 6) is genre-specific in terms of language, structural, and compositional structure. Radio broadcasts are primarily prepared and carried out in two ways: - news and journalism analysis; - entertainment programs (youth, music, and talk shows); - programs. One is visible and open, and the other is private. It is in front of a public audience that open conversation occurs. In the second scenario, the information source is the lone communicator who communicates verbally. Like other media, radio has its own linguistic characteristics and uses its own Uzbek literary language. Three categories can be used to classify radio language: Publications outlining the characteristics of radio speech that set it apart from other forms of speech; linguistic features of radio programs discovered during the course of daily work; essays w