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РецензированоEN1985

TYPES OF TONGUE TWISTERS ACCORDING TO TEXT COMPOSITION AND NATURE

COMPOSITION AND NATURE · Madiyarov Inamjan Batirbayevich · Acting Associate Professor (Tashkent State University of Economics,)

Академические исследования в современной науке · 1985

Аннотация

This article discusses the terms representing the genre of tongue twisters, which is one of the ancient genres of the Uzbek, Karakalpak, and Turkic peoples, as well as the types of folk tongue twisters according to their text composition and nature, and their specific features. Keywords: tongue twister, genre, folklore, term Entrance Among the Uzbek people, tongue-twisters are called "tutal," "chalg'itma," "chalg'ituv," "chalish," "adashish"[1: 169], among other Turkic peoples: among the Karakalpaks and Kazakhs - "jańıltpash," among the Kyrgyz - "жаңылмач," "жаңылтмач," "бат айтма," "тил сындырмак," among the Turkmens - "ýaňyltmaç," "ýeňyltmeç," among the Tatars - "тизәйткеч," "тил чаплантиргич," "телкөрмәвеч," "тел бәйләндергеч," "тел көрмәкләндергеч," among the Crimean Tatars - "тезайтым " or "тезайтув," among the Azerbaijanis - "yanıltmac," "çaşdırma (ca)," "dildolaşdırma (ca)," among the Ottoman Turks - "yaniltmaç (a)," "şaşırmac (a)," "şaşırtmaç," among the Gagauz people "yanıltmaç," "şaşırtma," "dil dolaştırma (k)," "dil kösteklemä (k)," "dil kırmak," among the Kumyks "янгылтмач," among the Karachay-Balkar people "джангытхыч," "тилбургъуч," among the Bashkirs "телкөрмәүес," "тизәйткес," among the Nogais "янъылтпаш," among the Yakuts "чабыргах," among the Altai people "modor sös," among the Russian people "скороговорка," among the Tajiks "тезгўяк." Literature analysis and methods If you pay attention, you can see that in almost all Turkic-speaking peoples, the terms expressing the genre of tongue twisters are close in meaning and function. Such closeness indicates that the foundation of these Turkic peoples goes back to a common ancestral language. In the process of intensive pronunciation of a text consisting of a series of words that are difficult to pronounce quickly, consisting of a complex sound system, such phenomena as confusion, distraction, error, and stuttering are observed in speech. The above- 95 ACADEMIC RESEARCH IN MODERN SCIENCE International scientific-online conference mentioned terms indicate that this genre is based on such aspects (speaking quickly, making mistakes, breaking the tongue). The complex structure, the reliance on distraction in performance, is an important feature of the fast-paced genre. It's hard to imagine it without them. In this regard, i.e., depending on the occurrence of the phenomenon of distraction, we conditionally classified tongue twisters as follows: Results And Discussion In tongue twisters based on distraction, the text has a complex structure, in which adjacent sounds, harmonious, harmonious words, and various adjectives participate. Such pronouncements are based solely on pronunciation distortion. For example: Bu bog‘cha boshqa bog‘cha[2]. Karakalpak tongue twister: Jaqsı qayshı, Qaysı qayshı[3: 18]. Although the given examples consist of four words, they are not easy to pronounce quickly. In the Uzbek example, the words "bo'g'cha" and "boshqa" are not placed side by side for nothing. If the place of "sh" and "q" in the word "boshqa" is changed, the word "boqsha," consonant with the word "bo'g'cha," is formed. Thus, in performance, these words harmonize with each other. Secondly, the sounds "sh" and "ch" in the text mix during performance. A similar situation is observed in the Karakalpak example. The words "qaysı" and "qayshı" in the text differ by one phoneme. In the performance process, this difference is eliminated as a result of the agreement of two words, and one of them is pronounced. Osmonda ikkita dumi kalta kal kalxat, birining ko‘k dumi kalta kal kalxat, birining qora dumi kalta kal kalxat. Ko‘k dumi kalta kal kalxat qora dumi kalta kal kalxatga xalaqit beradimi, qora dumi kalta kal kalxat ko‘k dumi kalta kal kalxatga xalaqit beradimi[4: 61]. This sample has a complex structure with a large number of distracting elements. This includes various elements that distract the performer, such as the number, color, and parts of the vultures, as well as words like "kalta," "kal," and " kalxat." Therefore, it's natural for the performer to make mistakes at certain points during the performance process. Tongue twisters, in which the meaning of the word changes, were in the repertoire of adults in ancient times. We discussed this issue in the adults' speeches. When such examples are performed, words that are absent in the text 96 ACADEMIC RESEARCH IN MODERN SCIENCE International scientific-online conference are accidentally spoken, or rather, their meaning changes during the performance process. As we noted above, special words are selected for the text of such tongue twisters. For example, when the phrase “Namanganlik To‘lagan to‘la lagan handalak yegan[5: 406] is said rapidly, the pause between the words "to'la" and "lagan" disappears, and when two words are added, one of them is dropped because the last syllable of the first word and the first syllable of the second word are the same. As a result, it sounds like "Namanganlik To‘lagan to‘lagan handalak

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This article discusses the terms representing the genre of tongue twisters, which is one of the ancient genres of the Uzbek, Karakalpak, and Turkic peoples, as well as the types of folk tongue twisters according to th… Полный текст публикации CiteX не хранит — доступ к первоисточнику открывается по DOI согласно лицензии издателя и выбранному плану.

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tongue twister, genre, folklore, term
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