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РецензированоEN2025

Typology of The Sonnet Genre in Karakalpak And English Literature

PAGE NO. - · English Literature · Orinbaeva Inabat Dauletmuratovna

International Journal Of Literature And Languages · 05 · 2025

Аннотация

This article explores the typology of the sonnet genre in Karakalpak and English literature, highlighting the structural, thematic and stylistic similarities and differences between the two traditions. The study examines the historical development and cultural influences that shaped the sonnet form in both literatures, focusing on key figures and their contributions to the genre. The English sonnet, notably the Shakespearean and Petrarchan forms, is discussed in terms of its structural rigidity and thematic concerns with time, love and mortality. In contrast, the Karakalpak sonnet, introduced in the 20th century, displays greater flexibility in its structure and often reflects themes of national identity, social transformation and the interplay between tradition and modernity. By comparing these two literary traditions, this article underscores the adaptability of the sonnet form across different cultural contexts and its ability to convey universal human experiences while incorporating local cultural elements. Keywords: Sonnet, Karakalpak literature, English literature, Shakespearean sonnet, Petrarchan sonnet, structural analysis, thematic comparison, cultural influences, poetic traditions, national identity. Introduction: The sonnet, a poetic form that originated English Sonnet Tradition. In English literature, the in Italy in the 13th century, has evolved into one of the sonnet form reached its zenith during the Renaissance most enduring and versatile genres in world literature. period, primarily through the contributions of poets Its penetration into various literary cultures, including such as William Shakespeare, Edmund Spenser and Sir English and Karakalpak literature, offers a unique Philip Sidney. The English sonnet tradition, shaped opportunity to explore typological similarities and primarily by the works of poets such as Geoffrey differences shaped by distinct historical and linguistic Chaucer and Sir Thomas Wyatt, is characterized by contexts. distinct forms that evolved over time. The Petrarchan sonnet, originally introduced from Italy, consists of an The sonnet, a form of lyric poetry with strict structural octave and a sestet with the rhyme scheme and metrical rules, has gained prominence in world “abbaabba” for the octave and “cdecde” or “cdcdcd” literature for its ability to convey complex emotions, for the sestet. This form is often used to present a philosophical reflections and thematic depth within a problem or question in the octave, which is resolved or concise format. Its adaptability across different reflected upon in the sestet (Literary Devices, 2023). languages and cultures reflects its enduring appeal and literary significance. This article explores the typology However, the most prominent form in English literature of the sonnet genre in English and Karakalpak is the Shakespearean (or English) sonnet, composed of literature, comparing the structural, thematic and three quatrains and a final couplet, with a rhyme stylistic features of the form in both literary traditions. scheme of “abab cdcd efef gg”. The flexibility of the By analyzing historical developments, cultural Shakespearean sonnet allows for greater thematic and influences and poetic innovations, this study aims to narrative development across the quatrains, with a highlight the shared characteristics as well as the decisive turn or resolution in the final couplet. unique adaptations of the sonnet in these two Shakespeare’s sonnets, numbering 154 in total, are traditions. renowned for their profound exploration of time, International Journal Of Literature And Languages 29 https://theusajournals.com/index.php/ijll International Journal Of Literature And Languages (ISSN: 2771-2834) beauty, love and mortality, often employing a Kelimbetova’s sonnets often touch on themes of rhetorical question followed by a paradoxical longing, loss and the complexities of modern identity, resolution. while Gaylieva’s works engage with the interplay of traditional values and contemporary realities. Both The Spenserian sonnet, developed by Edmund Spenser, poets utilize the sonnet to create a dialogue between is another variant that incorporates a linked rhyme past and present, often incorporating references to scheme (“abab bcbc cdcd ee”), providing a continuous Karakalpak folklore, landscape, and cultural heritage. flow between the quatrains. Spenser’s innovation in this form reflects his desire for a more harmonious and Comparative Analysis of English and Karakalpak fluid poetic structure, which aligns with his idealized Sonnets. One of the most striking differences between vision of love and beauty (Shakespeare’s Sonnets, the English and Karakalpak sonnet traditions is the 2023). structural approach. While the English sonnet is generally strict in its form, especially the Karakalpak Sonnet Tradition. Contrastingly, in Shakespearean sonnet, Karakalpak sonnets are more Karakalpak literature, the sonnet was not a traditional fluid and of

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«This article explores the typology of the sonnet genre in Karakalpak and English literature, highlighting the structural, thematic and stylistic similarities and differences between the two traditions.»

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This article explores the typology of the sonnet genre in Karakalpak and English literature, highlighting the structural, thematic and stylistic similarities and differences between the two traditions. Полный текст публикации CiteX не хранит — доступ к первоисточнику открывается по DOI согласно лицензии издателя и выбранному плану.

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Sonnet, Karakalpak literature, English literature, Shakespearean sonnet, Petrarchan sonnet, structural
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Смежные источники

[1]ФилологияRUРецензированоОткрытый доступ
Контекстуальное согласование семантических образований и их эстетико-эмоциональное воздействие на описание языковой картины мира

Иностранная филология: язык, литература, образованиеЭМОЦИОНАЛ ТАЪСИРИ, Даниева М.Дж.2019

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