The Emergence of Karakalpak Ritual Poetry and Its Developmental Paths

Аннотация

The article examines the practical significance of ritual folklore and its designation with a particular name related to the specifics of each national ritual folklore and the peculiarities of their composition. All types of Karakalpak ritual folklore mainly consist of poetic forms and, apparently, are classified as lyrical genres. Keywords: Culture, customs, folklore, spiritual, literature, ritual, poetry. literature. The Karakalpak people, like many other Introduction: Every nation has its own cultural heritage Turkic peoples, have created and created works in and unique characteristics only to him are customs and which the entire history of the people, its views on all traditions. These customs were formed as a result of moments of human life, norms of morality, ethics and humanity's many years of life experience. It is known behavior, as well as upbringing, have been preserved that Karakalpak folklore is a spiritual heritage of the since ancient times. Karakalpak people, a treasury of folk talent, part of which is ritual poetry. All genres of Karakalpak oral folk art, including its component part, ritual poetry, are a mirror of folk Acquisition of state independence of the Republic of wisdom. In the customs, rituals, and ceremonies Uzbekistan and Karakalpakstan provided a wide created by the people, the basic norms of upbringing opportunity for a deep study of the origins of folk have been preserved. Therefore, studying and wisdom and awareness of the national spiritual revealing the specifics of national ritual poetry is a heritage. Many national customs and traditions have crucial task of the current stage of our society's been revived, for example, the celebration of the development. Ritual poetry as an independent type of ancient national holiday of Navruz. In addition, national folk folklore has been studied in the folkloristics of holidays such as Ramadan, Eid al-Adha, Eid al-Fitr, and many peoples. others were returned to the people. The collection of samples of Karakalpak folklore has The growth of national consciousness means that every been carried out by famous Russian travelers and person is obliged to know the history of one's people, researchers since the mid-18th century. The names of to be proud of it, to cherish it and pass it on to the next Muravin, Gladyshev, P. Rychkov, A. I. Belyayev, and generation. And culture and literature, especially oral others, who made a certain contribution to the folk art, have preserved and reflect all stages of the collection of materials of folk art, should be noted. development of society, the people, their traditions and customs. It is known that the oral folk art of every Professor N. A. Baskakov's contribution to the nation, including the Karakalpak people, has been collection and publication of samples of Karakalpak studied to this day, but it is precisely the modern era, poetry deserves special mention. The materials of his as a time of revival of spiritual values preserved in the linguistic and folklore expedition were published in the people's memory, but previously inaccessible to the 1st volume of his work "The Karakalpak Language." general public, as a time of fostering national self- Studying certain aspects of folklore studies, researchers awareness, pride, that requires and allows for a deeper of Karakalpak folklore partially covered issues of ritual disclosure of the national origins of spiritual culture and poetry. This is written in the works of Doctor of International Journal Of Literature And Languages 165 https://theusajournals.com/index.php/ijll International Journal Of Literature And Languages (ISSN: 2771-2834) Philological Sciences N. Davkaraev "Essays on the "gulapsan" incantations, the "aruak шақырыу" spells. History of Pre-Revolutionary Karakalpak Literature" The scholar attributes the origin of wedding songs "toy (Tashkent, 1959), Professor K. Ayimbetov "People's baslar" and "betashar" to the period of feudalism. Wisdom" (1988), Doctor of Philological Sciences N. The researcher of Kazakh folklore, A. Konyratbayev, Zhapakov "Ritual Songs," in the book "Essays on the also believes that the "bedik" song, whose origin is History of Karakalpak Folklore" (Tashkent, 1977), connected with totemism, is a phenomenon that dates Doctor of Philological Sciences, Professor K. Maksetov back to very early times, and the "jar-jar" songs "Karakalpak Folklore" (1979), "Karakalpak Khalkının appeared after the emergence of the family. The Korkem Auizeki Dөretpeleri" (1996), Doctor of various rituals and customs specific to each nation Philological Sciences, Professor Yu. Pakhratdinov develop in its social life, living conditions, filling with "Adam, Jamiyet, Satire" (1991), Doctor of Philological meaning and improving. Sciences, Professor K. Allambergenov "Aitys in Customs and rituals do not arise by themselves, but as Karakalpak Literature" (1989). a result of the development of social, family relations, The methodological basis of the research w