The Use of Proverbs in The Work of Modern Uzbek Poets and Their Role in Poetic Art

Аннотация

This article analyzes the use of proverbs in modern Uzbek literature, in particular, in the work of poets, their artistic and aesthetic load, changes in content and form, and their place in the poetic text. The life experience, exemplary thoughts, and national wisdom embodied in the articles are sometimes used creatively by the poets, sometimes exactly, and sometimes in a revised form. Also, the poetic interpretation of proverbs in accordance with modern social conditions is analyzed. Keywords: Proverb, folklore, modern Uzbek poetry, poetesses' work, artistry, antithesis, revised folklore, folk oral art, poetic expression, figurative device. and cooling down like a girl. The lifeless flowers were Introduction: In the poems of the poetesses, even imbued with the behavior of a girl. In this regard, the more attention is paid to folklorisms, in particular, to proverb "A dog barks, a caravan moves" can be applied the use of proverbs. One of the main reasons for this is not only to people, but also to inanimate objects, as that proverbs embody intonations such as emphasis, evidenced by the above verses of Kh.Khudoyberdiyeva. exposition, advice, call, order. In proverbs, however, brevity, quick-wittedness, and imagery are strong, and Poems created using the proverb "A dog barks, a they approach phraseologisms. [12] The factors caravan moves" constitute the majority. O.Hojieva, observed in these genres serve as a support for the whose artistic creativity bears the breath of folk oral creators in figuratively reflecting the colorful emotional art, uses this proverb, preserving the meaning of the tones in the events of the work. Poetesses use them proverb, as follows. exactly when appropriate, and in most cases, with Safro kuydi ko‘ksimda, variations. Zardobli gumon o‘tdi. People's Poet of Uzbekistan Kh.Khudoyberdiyeva in her Itlar izg‘ib izimdan, poem "These Flowers Like Girls" completely changes the proverb "A dog barks, a caravan moves": Ig‘volar yomon o‘tdi. Itlar huraversin deb, O. Khojieva quotes this proverb in another poem entitled "Approval": Aytasan ranging siniq. Yaxshi o‘tar, yomonlar o‘tar, Senga yetib bormaydi, Itlar hurar, karvonlar o‘tar.[4] Bu itlarning tovushi. In the poem, the art of (tazod) is used through the Tag‘in yetib bormaydi, antonyms good-bad. Through poetry, the poetess Yellardagi xo‘rsiniq. wants to say that neither sultan nor chilton, neither Hurkib turgan gullarning, good nor bad is eternal, and time passes like a dog's barking. Qizday isib sovushi. [6] The proverb "A dog barks, a caravan moves" is used in The art of personification is used in lines such as the H. Ahmedova's poem as follows: breaking of the flower's color, its fright, its warming up International Journal Of Literature And Languages 183 https://theusajournals.com/index.php/ijll International Journal Of Literature And Languages (ISSN: 2771-2834) Va muzlar dunyoning so‘nggi vahshati, convince a person. The instructive thought expressed in the proverb is reflected not only in individual people, Hayqirib o‘lganday qadim devona. but also in the fact that it acquires a universal Itning hurishiday o‘tadi kunlar character. Exemplary, tested universal thought is Qolgani afsona, afsona [2]… determined by having a concise, perfect, and artistic In this poem by H. Ahmedova, there is genuine form. folklorism. The folklore material embedded in the Qorni ochga non bo‘lsa bas, essence of the work of art can be taken in its original Ko‘zi ochga dunyo yetmas.[7] form or in a processed form. Based on this, the study of When proverbs appear one after another, they can folklorisms by dividing them into reworked folklorisms seem contradictory, as if one contradicts the other. In and original folklorisms has been observed in the fact, we should not forget that they express different research of our scientists. Revised folklorisms are often meanings depending on the situation of use. The above created by changing the form of folklore material and folk proverb and the following preserving its meaning. Let's pay attention to the poem by H. Ahmedova: In the poem "The Mountain Doesn't Meet the Shundan topdim hayot falsafasini, Mountain," Z. Muminova uses a folk proverb, changing Boylikda yuvilmas na dard, na alam. the meaning of the proverb and partially quoting the Ochlikda o‘lganni ko‘rmadim, ammo proverb as follows: O‘lsa ochko‘zlikdan o‘ladi odam.[2] Qancha itlar hurdi menga, The content of the cited folk proverb and the poem by Dildog‘ bo‘ldim, dildog‘ bo‘ldim. H. Ahmedova do not contradict each other. Or, in terms Qon yig‘ladim o‘z-o‘zimga, of content, one is not a distorted version of the other. Sabog‘ bo‘ldim, sabog‘ bo‘ldim.[8] They are independent proverbs with their own meaning and independent poems expressing the The poetess says that "my heart was stained, I shed content of proverbs. The poetess uses this proverb in tears, and in the end, I became a lesson for myself." another poem: Through the poem, he indicates adherence to the mea