The Problem of Alternative Words in Poetic Translation

Аннотация

In this article the tanslators skills in using words in the process of translating the verses of Makhtumkulu are analyzed, the value of a word is discusussed in belles-letters translation. Keywords: Poet, verse, range, of thematic diversity, world of images, skill, method. we will look at the example of how he found this or that Introduction: Literature is the art of words, while word and use it in its place, and we will talk about the translation is the art of word-by-word reproduction. place, function, status of the word in poetic translation. That is why the role of the word in translation is unique: finding and substituting a single word reveals the Along with the words of artistic discovery used in the beauty of the translation, on the contrary, a single word translation of Makhtumkuli’s poems, we will come with used improperly can become a stain on this beautiful encountered words that were irrelevant, misused, beauty. misplaced, distorted, and changed the poet's mind due to negligence and irresponsibility, not understanding “In fact, while personal creativity emerges through the the meaning of the word or not feeling the edges of search for ideas, translated works are created through meaning. the search for appropriate words. Because the novel to be translated has a ready idea, a ready concept. The The translator must be free and courageous enough to translator must choose a word that is deep in logic, argue with the author. “If the translator does not have expressing to its form and beauty. The choice of this the courage, he will not be able to approach the original word is a creative process that depends on the creatively” [5, 89] vocabulary, sharp taste and delicate taste of the writer” J.Sharipov approached the translation of the following [1, 44]. As G. Salomov and N. Kamilov rightly noted: “It’s verse freely and creatively, which made it sound in very important to be able to find the word in the Uzbek. The “arziydi” radif found by the translator translation and put it in its place. If a word or phrase, revealed the beauty of the band: let alone a grammatical addition, does not fit in or is a Гөзел бардыр гүнде-гүнде гөрмели, little out of place, it will ruin the beauty of the whole work” [2, 130]. Шол гөзелиң сыя зүлпүн өрмели, Of course, this is not about literal translation, about Дөкүп, хазынаңы зерин бермели, sticking to the word, rather, it is about a suitable and Аның сөвдасында боласың гелер (МШ, 1, 202). appropriate word found with skill that reveals the content of the poem, conveying the poet’s thoughts to Go'zal bordir kunda ko'rsang arziydi, the reader of the translation as well. “It takes skill and taste for a translator to find an alternative word in a Qora zulfin kunda o'rsang arziydi, translation that is original and to use it in its place” [3, Xazinangni to'kib bersang arziydi, 184]. This is also one of the main criteria that Uning savdosida bo'lging keladi (TA, 69). determines the skill of any translator. “Talking about the skill of a translator means, first of all, evaluating his Here the translator takes the rhyming words, such as vocabulary” [4, 13]. Therefore, in this chapter, the skill “ko’rsayding, ursayding, bersayding” into the inner of the translators is precisely their attitude to the word, rhyme, confirms them with the radifi of “arziydi” and American Journal Of Philological Sciences 348 https://theusajournals.com/index.php/ajps American Journal Of Philological Sciences (ISSN – 2771-2273) this is not contrary to the originality. clear to the modern reader. In the fourth verse, the word “barin” is redundant – the meaning of “bari, In the first verse of the original, the word “kunda” is hammasi, to’la” in the giving of the treasure. Fifth, repeated twice in the form “kunda-kunda”. In there was no need to give a classic tone to words like translation, it was used once, but the radif “arziydi” has “aning” and “yuroyin”. replaced it. Although the phrase “shul go`zalning” was dropped in the second verse, it did not affect the The poem “Bo`ylaringga” has a strong place in the meaning because the text speaks of that beauty, and repertoire of hafiz translated by J.Sharipov. It really is the abbreviated word “kunda” in the first verse was one of the best translations of the translator. As an added to the second verse. example, consider a single paragraph: Such cases are common in the practice of literary Гөрсем роюң, ёк арманым, translation. This is called compensation in translation. Сенсиз хазан урсун җаным, That is, adding words, phrases, or images that are lost Ыкбалым, диним-иманым in one place or that cannot be reflected in another. In the same verse, one of the two words “kunda” in the Кылсам хормат бойлариңа (МСЭ, 1, 96). first verse is reflected, and the second is reduced to the second verse, thus increasing its influence. Of course, Ko'rsam husning, yo'q armonim, in the third verse, the word “zar” is omitted, but there Sensiz xazon bo'lsin jonim, is no difference bet