The Manifestation of Mythological Imagers in Poetry in Modern Uzbek Poetry

Аннотация

This article examines the poetic depiction of mythological images in contemporary Uzbek poetry. In particular, it is analyzed how the images of the fairy and Khizr in the imagination of the ancient people perform an aesthetic function in the poetry of contemporary poets - Halima Akhmedova, Guli Askarova, Iqbol Mirzo, Erkin Azam, how national and universal ideas are expressed through these images. It is highlighted that mythological images appear in poetry not only as an artistic symbol, but also as a symbol representing human spiritual experiences, hopes, and moral values. The study reveals the harmony of mythological images with modern poetic thinking and their place in today's literary process. Keywords: Mythological images, fairy, Khidr, modern Uzbek poetry, artistic thinking, symbol, poetic interpretation, national values. mythological imagination. Fairies descended from Introduction: In literary studies, it is always important paradise, combing their hair under a flower bush, invite to study the system of myths and mythological images, the lyrical hero into the embrace of the bonfire. The symbolic images that arose on the basis of mythological oleaster is a tree of paradise. The tree of Paradise that concepts, and aspects of traditional poetic symbolic grows on Earth longs for its dwelling place. Intoxicated images. It is in the process of research that ideas by the voices of fairies, he yearns for the moon, that is, become clearer, the poetic essence of our fiction for the sky inhabited by fairies, and the lyrical hero increases. In Uzbek literary studies, the significance of dreams of joining the oleaster tree, putting on the silk myths in the formation of folklore traditions has been dress of fairies, and going to the land of fairies: studied in detail by such scholars as M.Zhuraev, U.Khamdam, U.Zhurakulov, T.Rakhmonov, O‘shanda S.Khamdamov. In the poem "Divine Season," H. Parilar yurtiga ketgim kelardi, Akhmedova describes the mythological image as Jiyda daraxtining o‘ylariga ergashib. follows:Gulbuta ostida sochlarin tarab, Parilar xayolin kiygan ko‘nglimga, Guldanmi, oydanmi kelgan parilar, Turardim bir libos kabi yarashib. [2.121] Junun vodiysida adashgan dilni In T. Khodzhaev's "Turkic Legends," "Fairies and angels Gulxan og‘ushiga chorlab kuylardi. are in the sky above the world. Fairies and angels live in Parilar ovozin sehridan sarxush, the heavens, in comfort, or in paradise with innocent Jiyda daraxtlari oyni o‘ylardi. people," we observed in the following poem by H. Ahmedova. H. Ahmedova is a poet with deep imagination. In his poems, he also travels to the mythological world The image of the fairy is a world of beauty in the with that world of imagination. In the above poem, the people's ideal, a perfect embodiment of appearance. fairies invite the lyrical hero, yearning for the The fairy is very little visible to the eye. When mythological world, into their world. The presence of manifested, it deprives a person of their mind and fragrant flowers in paradise is not alien to our consciousness. Pari, having a positive quality, being an American Journal Of Philological Sciences 385 https://theusajournals.com/index.php/ajps American Journal Of Philological Sciences (ISSN – 2771-2273) imaginary embodiment of human beauty, having a poetess compares the nest of her lover to Susambil, stable life, never dying, doing good to people in her describing him as the sultan of this corner. The Garden place, is sometimes embodied in her negative of Paradise is a pleasant garden that breathes only character. Such behavior is measured by cunning, tranquility, purity, and beauty. The lyrical hero flies witchcraft, and infidelity in the fairy. with his beloved in this beautiful garden in the sky of sweet dreams. H. Ahmedova, wisely using the inexhaustible treasury of folklore, creates the image of a fairy, that is, the In our view, fairies also differ in mentality. In particular, image of a fairy: in the imagination of the Uzbek people, the peri is depicted as a delicate girl with long black hair, a slender Yunus baliqlarning ko‘zidami ishq, figure, and a white silk dress, while Europeans describe Parilar dil solgan daryoda ko‘nglim. her with long blonde hair and blue eyes. Each nation Garchi havozodman, havodir naslim- can evaluate such ideas and interpretations based on Yer bergan mahdudvash sadoda ko‘nglim. [3.15] its own taste and mentality. In the following poem by Z. Mirzoeva, she describes a fairy with loose hair: One of the rare examples of folk oral art is the epic of Yunus Pari. Yunus is the daughter of the king of fairies. Sochlari yoyilgan hurga aylanib, Its destination is not a river, but Mount Mount Qaf. Tushimda ortidan yig‘lab yugurdim. [4.7] Fairies can take any appearance, including the This image, created in the imagination of a person, is appearance of a fish. Water fairies live in the river. The also used in written literature and is expressed to a lyrical hero's heart falls into the riv