THE ANALYSIS OF HUVAIDO'S GHAZAL “KUYUB ISHQ O’TIDA, EY DO’STLAR, BAG’RI KABOB O‘TTUM”

Аннотация

Khojanazar Huvaido is a mature representative of the Kokan literary environment and a master poet. His lyrical legacy was published as a devan. In this article, the poet's ghazal, which begins with the words “Kuyub ishq o‘tida, ey do‘stlar, bag‘ri kabab o‘ttum” is analyzed. In it, the creator's ideological direction, artistic skills, and the uniqueness of the image of divine love are analyzed. In the analysis of ghazals, the art of tashbeh, tajnis, exaggeration, exclamation, tazad is used skillfully. Key words: literary environment, devan, Huwaydo, ghazal, allusion, tajnis, exaggeration, exclamation, tazad, mustazad, musaddas, mukhammas, mysticism. Annotatsiya: Ho‘janazar Huvaydo Qo‘qon adabiy muhitining yetuk namoyandasi va sohibdevon shoirdir. Uning lirik merosi devon holida nashr qilingan. Bu maqolada shoirning “Kuyub ishq o‘tida, ey do‘stlar, bag‘ri kabob o‘ttum” deb boshlanuvchi g‘azali tahlilga tortilgan. Unda ijodkorning g‘oyaviy yo‘nalishi, badiiy mahorati, ilohiy ishq tasvirining o‘ziga xosligi tahlil qilingan. G‘azal tahlilida tashbeh, tajnis, mubolag‘a, nido, tazod san’atlarining mohirona qo‘llanganligi asoslab berilgan. Kalit so’zlar: adabiy muhit, devon, Huvaydo, g’azal, tashbeh, tajnis, mubolag’a, nido, tazod, mustazod, musaddas, muxammas, tasavvuf. Аннотация: Ходжаназар Хувайдо – зрелый представитель коканской литературной среды и мастер-поэт. Его лирическое наследие было опубликовано как деван. В данной статье анализируется газель поэта, которая начинается словами “Kuyub ishq o‘tida, ey do‘stlar, bag‘ri kabob o‘ttum”. В ней анализируются идейное направление творца, художественное Выпуск журнала №-27 Часть–4_Июнь –2025 227 MODERN EDUCATION AND DEVELOPMENT мастерство, уникальность образа божественной любви. При анализе газелей умело используется искусство ташбе, таджниса, преувеличения, восклицания, тазада. Ключевые слова: литературная среда, деван, Хувайдо, газель, аллюзия, таджнис, преувеличение, восклицание, тазад, мустазад, мусадды, мухаммас, мистика. Looking at the history of our nation, the values and rules of Islam, which have been ingrained in our people's blood for thousands of years, have naturally influenced our literature. For almost thousands of years, our people have lived based on our holy book, the Holy Quran and Hadith. It is noteworthy that in many cases, accomplished religious scholars were simultaneously poets, philosophers, thinkers, and even, in some cases, encyclopedists, while accomplished poets were people who knew religion thoroughly, memorized the Holy Quran from a young age, were avid readers, and mastered the rules of Sharia. We can cite such great figures as Abu Nasr Al- Farabi, Al-Khwarizmi Abdurahman Jami, and Alisher Navoi as examples. Over the centuries, religion and literature have merged, and a rare art of literature with the mature philosophy of religion has emerged. As a result, many mystical poets have flourished in the Islamic world. Khojanazar Ghaybnazar's son Huvaydo was one of such poets.1 In Huvaydo's poems, issues of morality, spirituality, enlightenment, and education occupy a special place: the poet promoted and praised the highest human qualities such as honesty, purity, truthfulness, piety, not betraying someone's rights, being compassionate to orphans and the poor, and being kind and generous. He strongly condemned such abominable vices as impurity, immorality, slander, fraud, theft, betrayal of one's rights, flattery, hypocrisy, and especially such abominable vices as arrogance, arrogance, and adultery. While writing about the positive and negative characteristics of human life, Huwayda cites evidence from the Quran and Hadith to show their consequences.2 1 Xolmurodov.I. OTASHNAFAS SHOIR HUVAYDO HAYOT YO'LIGA BIR NAZAR maqolasi. "Экономика и социум" №12(91)-1 2021 2 Qodirqul Ruzmatzoda. Huvaydo Devoniga so’z boshidan.Toshkent.-2007. Выпуск журнала №-27 Часть–4_Июнь –2025 228 MODERN EDUCATION AND DEVELOPMENT Huvaido emerged as a master of classical poetry. Huvaido's ghazals are mainly composed of romantic and oriphonic ghazals. Romantic ghazals impressively depict the experiences and image of a lover who persistently strives for human perfection on the path of love. Oriphonic ghazals, on the other hand, embody Huvaido as a wise philosopher. His didactic views have become immortal themes for centuries. Huvaido's creative work is extremely broad in ideological and artistic terms and is distinguished by its universality: both rebellious and misguided, learned and lovers, virtuous and perfect people, kings and beggars of various statuses and levels could benefit from his works, find answers to the problems that tormented them, and observe their inner world. In his work, the issues of life and death, the meaning of human life, and the understanding of identity occupy a leading place. This shows that the poet has his own path, style, and a wide range of deep and philosophical thinking.3 In this article, we will analyze Huvaido's ghazal, which begins