EMOTIONAL-EXPRESSIVENESS IN NON-SELF-EXTRACTIVE STATEMENTS

Аннотация

This article considers the expression of an emotional-expressive attitudein non-specific sketch sentences. As society develops steadily, it is natural that the changes taking place in it are reflected both at all levels of language and in its syntactic structure, especially in the form of non- specific fragmentary sentences. Accordingly, uncharacteristic fragmentary statements, which are one of the visual means of opening the character's psyche, fully manifest their aesthetic facets in artistictextas emotional-expressive, expressive means. Keywords:non-self extract sentences, emotional-expressive attitude, artistic text, methodological paintwork. The main signs of non-self-extract sentences are grammatical signs. Conducted observations on Russian and Ukrainian languages A.A.Andriyevskaya, looking at non-self-extract sentences as an important methodological tool, notes that the variability of verb-specific categories, the alternation of positions of introductory and modal words, loadings are characteristic1. Grammatical methods of non – self-extractive statements are based on the opposition that arises within the author's narrative, that is, lexical units that are included in the text in the process of storytelling and, according to their methodological coloring, apply not only to one author, but at the same time to the speech field of two subjects-both the author and the character. In the latter case, the subject thought by the author is expressed in the medium of words with an impressive stylisticcoloring, indicating thesubjective views ofthecharacter orhis oratory mannerisms. In such cases, the information provided by the author about the subject expresses an opposite point of view and, naturally, comes to the surface with the help of other words. The elements of Deixis and “egocentricity” are important in the expression of non-self-extractive statements. When egocentric elements in a language are said, Words and devices are understood that refer to the speaker's speech. Y.V.Paducheva also includes not only deictic words and elements in the elements, but also introductory words that are referred to as subjective modality; sentences in the explicit illocutive task; modal words and loadings thought by the speaker2 egocentric elements of the language are closely related to the role of the speaker, the subject of speech, the subject of consciousness, the subject ofperception. Let's lookat these elements. As society is tirelessly progressing, it is natural that the changes taking place in it are reflected in all levels of language, as well as inits syntactic construction, in particular, in theform ofnon-self- extractive statements, of course. Accordingly, non-self-extract sentences, which are one of the pictorial tools in revealing the spirit of the character, fully manifest their aesthetic facets as an emotional-expressive, expressive means of influence in the artistic text. It is natural that in the use of non-self-explanatory statements in artistic texts, it is intended to illuminate character-traits of thecharacter, reveal his innerexperiences, attitudetowards thosearound him, and even words that express attitudes occupy a significant place in them. This is caused by the character's dissatisfaction with his activities, as well as the behavior of other individuals. In some cases, this attitude will be associated not only with the speaker, but also with the social system, the activities ofsociety. 570 INTERNATIONAL MULTIDISCIPLINARY JOURNAL FOR RESEARCH & DEVELOPMENT SJIF2019:5.2222020:5.5522021:5.6372022:5.4792023:6.5632024:7,805 eISSN:2394-6334 https://www.ijmrd.in/index.php/imjrd Volume12,issue05(2025) In such cases, the units that represent attitudes gain political significance in content. One of the participants in the acute Hoshimov work “lives in a dream” is the image of a Commissar. He is a man who grew up influenced by the puch ideas of the former Salt Lake system and does not return from completing any dirty task of this system either. The author in the work commissar character-an excessive definition in the coverage of his characteristics-he avoids descriptions. The commissioner's thoughts about himself are manifested through his internal monologue. The commissioner tries to define his place in society by reacting to society: Sotag-yey! Jojahuroz-yey! He wants to interrogate me if he lets go! Mei-ya! Combat Red Flag, Knight of the order of the Red Star, kimsan Komissarni-ya! Wipe your nose first, mishiqi! Is the day of the Soviet body left for these now? Where Are we going? Although it's past a colt times? Leather coat on egning. Hat onyour head. Nagan byyour side. Which will see if you knock on the door-it will be the board-will remain. “Is Grajdanin a fortune teller?"- desang, tili does not come to Kalima, unsurning!.. The times are the same, The Times! Everyone shouts "democracy". "Perestroika", he says! Transparency says! (O'.Hoshimov "lives in a dream"” It is known that since speech is an ext