Fergana Valley Architectural School Decoration Methods

Аннотация

Thanks to independence, attention is paid to restoring historical memory, perpetuating the memory of those who fought for independence, revealing historical justice associated with the fate of our country, revealing the recent black pages of our people and nation, drawing conclusions from this history.It is a duty and duty to perpetuate the memory of the innocent victims. KEYWORDS National value, Islamic religion, enlightenment, national liberation, historical memory, Fergana Valley, decorations, color, architectural ensemble. INTRODUCTION methods.[4] The masters of Fergana did not follow the path of blind imitation, but only The folk masters of the Fergana Valley of the adopted the methods they were familiar with late 19th and early 20th centuries have as a means of guidance. The main task of the inherited the rich experience of the traditions architects was to build comfortable, cozy, of the local school of architecture for new beautiful houses in all respects for living.[1] generations. Although some researchers believe that the architecture of Fergana is Typical Fergana houses are characterized by a derived from a generalization of several styles, relatively spacious yard and a variety of styles. but its peculiarities are obvious. This is They are built to be compact and attractive, particularly the case in the diversity of taking into account certain conditions.[3] architectural planning and decorating The US A Journals Volume 02 Issue 12-2020 21 The American Journal of Applied Sciences IMPACT FACTOR (ISSN – 2689-0992) 2020: 5. 276 Published: December 27, 2020 | Pages: 21-25 Doi: https://doi.org/10.37547/tajas/Volume02Issue12-05 OCLC - 1121105553 If we evaluate the Fergana residential the courtyard turns into a distinctive blue buildings from a modern point of view, it is valley, where homeowners can always find not difficult to find qualities that are in sync work and relax. The courtyard scene was also with the modern requirements in them. a source of sophistication, embodying all the architectural elegance and sophistication. The courtyard of the Uzbeks is a complete Fergana courtyards consist of a set of several architectural ensemble. The fact that several residential blocks that are completely pieces, each with its own meaning, is different from each other.[7] Unity and inextricably linked with each other, ensured integrity ensured the balance of the the formation of such an ensemble. For this courtyards. The high-low-rebuilt houses and reason, in the general structure of the the distinctive caps at the tip of the muri gave courtyards one can observe a striking it a sleek look as opposed to fluency. Columns, commonality: on the one hand, they are fences, railings and window coverings play a spacious and spacious, and on the other hand, special role in the formation of artistic they have maintained all-round inviolability.[2] architecture of the late XIX and early XX In the late nineteenth and early twentieth centuries. With the carved lids of the windows centuries, Fergana dwellings consisted of and doors, the intricately patterned raised three parts: a courtyard, a porch, and rafters of the porches squeezed out the glass bedrooms. The ridge of rooms and porches frames over time. Instead of columns surrounding the courtyard of the courtyard decorated with carved patterns on the chair, acquire a unique architectural sophistication. body, and moss, ordinary wood began to be used, which resulted in the settlements being The walls were tidy, the floor was dry, and the deprived of local ornaments. ceilings were not comfortable enough. In furnishing the interior of the house we see The emergence of new building materials in that the general principles of artistic style the middle of the XIX century radically typical of all historical cities of the Fergana changed the style of construction of Valley have been added. The rooms were residential houses. Adlqomat, erected on the mostly connected to each other by two or foundations, began to install window-frames three bolors, and there were no corridors in these houses and to cover them with connecting them. The walls are lined with domed tin roofs. Gradually, series-shaped, top- shelves and stacked with household items. floor tim-shaped buildings emerged. The interior of the open room usually consisted of a net and a base. The three parts The interior of the houses would be of the walls, called the lower, middle, and associated with the external environment that honor, were interpreted by the folk masters surrounded it. Each house was built without a themselves. While some of the walls have porch, and the porch was turned into a corner. been tailored for use, in some places they The methods of decorating the interior of the have been elegantly designed to be woven room have changed, the processing methods into the room. The lower part of the shelf is have been simplified. The use of new building 80-90 cm. rising in height, the pillars of the materials has