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РецензированоEN2025

THE POETICS OF TRADITIONAL SYMBOLS IN NATIONAL-LIBERATION POETRY

Назарова Шахнозахон Ибадуллаевна

ИССЛЕДОВАНИЕ РЕНЕССАНСА ЦЕНТРАЛЬНОЙ АЗИИ · 2025

Аннотация

The awakening of a new artistic thought, and as a result, the emergence of the issue of national poetry, required the creators of the era to find new forms of expression. This, first of all, was a demand for a new approach to the poetic image expressing the artistic idea. In this article, we will focus on this issue. Literary succession is reflected in form and content. Following the systems of meter, rhythm, rhyme is a form; following the idea, poetic images is a succession in terms of content. Eastern literature is built on the principle of creating innovation within these strict traditions, and on this basis a chain of gradual development is formed in the history of literature. Poetry at the beginning of the 20th century entered a stage of renewal in terms of both form and content. However, due to social life and the idea of freedom, content moved ahead of form. The system of poetic images, which is not subject to the systems of meter and rhyme, expressed this content.

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«The awakening of a new artistic thought, and as a result, the emergence of the issue of national poetry, required the creators of the era to find new forms of expression.»

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The awakening of a new artistic thought, and as a result, the emergence of the issue of national poetry, required the creators of the era to find new forms of expression. Полный текст публикации CiteX не хранит — доступ к первоисточнику открывается по DOI согласно лицензии издателя и выбранному плану.

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